Photographer, researcher and archivist Dan Holdsworth uses high-tech software to examine the world’s changing natural topographies.

Examining the changing definition of architecture after modernism, Gordon Matta-Clark’s work offers insight into deconstruction,

An exhibition of works by Cindy Sherman focuses on existential ideas, exploring dream landscapes, fantasy worlds and deep-rooted fears.

From future cities to manufactured histories, exhibitions open 14-15 April surpass the temporal world to offer new visions of reality.

Gillian Hyland, who is part of the Aesthetica Art Prize, crafts highly-stylised images engaging with notions of desire and nostalgia.

n a portfolio completed toward the end of her career, Diane Arbus invites us to look, uninhibited and free from the confines of society.

Magnum photographers offer striking images of the student protests in France during May 1968, a time regarded as the start of postmodernism.

Ellen Jantzen unearths new states of reality through digital manipulation, looking beyond the surface to reveal new layers of meaning.

Uriel Orlow’s Theatrum Botanicum positions the natural world as a stage for politics, profoundly engaging with the impact of colonialism.

Finnish photographer Elina Brotherus combines her past with tropes from the history of art, forging personal and universal connections .

Jocelyn Lee’s portfolio of photographs offer intimate moments, presenting a subtle yet powerful statement about the female experience.

Francois Ollivier’s approach is based on wandering and accepting the impromptu, magnifying the most common things into the poignant or magnificent.

Formerly a cinema set painter, Lorenzo Vitturi’s photographic style in infused with performativity. Money Must be Made opens at Flowers Gallery.

Evora Africa is a celebration of African heritage, offering fresh perspectives on the modern world and the experiences of young people.

Offering a comprehensive overview of contemporary photography, a new exhibition presents images which depart from convention.

The 2018 Aesthetica Art Prize exhibition explores the effects of over-consumption, media stimulation and emotional disconnection in today’s world.

Pioneering photographer August Sander drew a nuanced sociological portrait of Germany’s inhabitants and surrounding urban landscapes.

This month’s new releases negotiate how senses and visceral appreciations are integral to the creation, purpose and perception of contemporary art.

The top picks for 7-8 April offer global dialogues, navigating international domains from China to Germany to examine a changing landscape.

Noémi Varga’s The Happiest Barrack recounts a personal tale of life and love within soviet Hungary. See it at as part of the Aesthetica Art Prize 2018.