Subversive Photography
New Museum in New York presents the first major retrospective of the artist Sarah Charlesworth, whose work explores mass media saturation.
New Museum in New York presents the first major retrospective of the artist Sarah Charlesworth, whose work explores mass media saturation.
Ryan Schude’s theatrical tableaux relate the minutiae of suburban life, fusing fairytale Gothic with a lurid technicolour pop sensibility.
Man, machine and science: MUDAM Luxembourg presents a reappraisal of the continuing relationship between the arts and science.
Pastel chevrons divide sparse, sun-bleached compositions in self-taught photographer Matthieu Venot’s architectural vistas.
Fondazione Bevilacqua La Masa, Venice, presents an exhibition by Peter Doig in the Palazzetto Tito. The show features new paintings and several intimately scaled works drawing on found sources.
An exhibition of new work by Yto Barrada at Pace, London, delving into her research on Moroccan fossils and dinosaurs, and exploring notions of imprint, trace and the status of archives.
Carolina Redondo looks to her origins in the Chilean Pucón for inspiration in her performative practice. We speak to the artist about her use of the body to explore migration and interculturality.
Tate Modern presents the first retrospective of Agnes Martin’s work since 1994, tracing her development from biomorphic abstraction to her mesmerising grid and striped canvases.
The UK’s largest annual visual art festival combines work from Edinburgh’s most prestigious galleries as well as artist-run spaces, and new commissions from emerging and established artists.
Taking its title from a line in a Robert Frost poem, America Is Hard To See at the Whitney Museum Of American Art considers more than a century of modern American art in its social context.
Australian artist Julian Day creates simple but evocative works encompassing installation, video, sound, text and performance. His piece Requiem was exhibited as part of the Aesthetica Art Prize 2015 showcase at York St Mary’s.
On view in Ikon’s small turret, the Tower Room, is filmmaker and land artist Julie Brook’s Pigment, an eight and a half minute film, shot in a cave in Namibia with three young Himba women.
One of the most enduring fashion icons of all time, Audrey Hepburn has captivated generations with her unique elegance and style. The National Gallery’s current exhibition covers her early film success to her lasting media image.
Images Moving Out Onto Space at Tate St. Ives brings together eight artists, including Bridget Riley and Liliane Lijn, with works of kinetic painting and sculpture spanning 50 years.
Gallery 268, London, presents Matt Gee: Nutri-Artifice, consisting of two bodies of work which resonate in between art and science with a visual language reminiscent of props used in a laboratory.
In a Venetian house in sight of the Giardini della Biennale, Luxembourg & Dayan presents Minjung Kim: The Light, The Shade, The Depth featuring the artist’s paintings from the past 15 years.
Multi award-winning photographer Simon Norfolk holds his third exhibition with Michael Hoppen Gallery, showing images taken between 2013 and 2014 in the war-torn Bamiyan Valley, Afghanistan.
British artist Peter Liversidge reflects on the idea of the ‘proposal’ in his conceptually-based practice, using analogue and antiquated technology to both initiate and document his artistic activities. We speak to Liversidge about new show By the Book.
Hamiltons Gallery, London, presents Polaroids, a diverse selection of colour and black and white photographs from the archive of renowned Italian fashion photographer Paolo Roversi.
