Les Rencontres d’Arles begins with a flurry of exhibition previews, special events, talks and workshops, celebrating the opening of its 47th edition across the Southern French city.

Val Wecerka’s practice demonstrates a curiosity with both form and content. We catch up with her to discuss the stimuli behind her diverse oeuvre.

With 160 documentaries, plus a whole host of talks and workshops, Sheffield Doc/Fest was a whirlwind of information-absorption. From one film to the next, attendees found themselves jumping between continents, topics and themes.

Manifesta’s 11th edition runs until 18 September. The nomadic festival was initiated in response to the new social, political and cultural reality that emerged in the aftermath of the Cold War.

With a wry sensibility, Leeds-born Marcus Harvey explores what it means to be British, deconstructing identity through a collision of humour and art.

Yorkshire Sculpture Park presents a new show that responds to the environment and light qualities of its 18th century chapel based in the grounds. Featuring 15 sculptures, installations and films.

Aesthetica catches up with Anthony d’Offay, curator and collector of new project ARTIST ROOMS at Tate Modern, London.

Hauser & Wirth unites the practices of Kurt Schwitters and Hans Arp, in the context of works by the Joan Miró, in a new show to mark the centenary of the Dada movement in the city of its birth.

Josef Sudek was the creator of deeply-felt photographs that made use of the everyday sights he encountered in order unearth moments of great beauty and the potential for great destructiveness.

The 2016 edition of the Transart Triennale, entitled The Impercepctible Self, takes place at Uferstudios, Berlin, from 5-7 August.

This year, the UK’s largest contemporary art festival, Liverpool Biennial, sees 42 artists creating work at locations across the city, from Tate Liverpool to Cains Brewery to local supermarkets.

Having featured on the cover of Aesthetica for two issues, we catch up with Kourtney Roy about her most recent photographic series, Northern Noir.

The impulse to preserve and save objects, which is fundamental to the whole enterprise of museums, galleries and other collections, comes under scrutiny in the New Museum’s latest multi-floor exhibition.

The 19th International Festival of Photography and Visual Arts PHotoEspaña takes place this summer. Following its opening at the beginning of June, PHotoEspaña continues to host a wealth of exhibitions across the city of Madrid.

At Pace London, the gallery has come alive with Louise Nevelson’s ingenious forethought that was at the epicentre of illustrious career and life.

Shedding lights on the borders, both visible and invisible, that can define and control us, Wolfgang Tillmans’ exhibition at Maureen Paley in London features new and previously unseen work.

Mike de Sousa works with light, sound and words – sometimes in isolation, and often together. Aesthetica caught up with the artist to discuss his creative practice.

This summer Hauser & Wirth Zürich celebrates the work of the late American sculptor, painter and draughtsman, David Smith. The artist transformed the innovations of European modernism into a richly diverse new artistic language.

Works of Alexander Calder and Fischli/Weiss, from the early and late-twentieth century are now in dialogue, thanks to the Fondation Beyeler.

Reporting From The Front is the title of this year’s Venice Architecture Biennale, and the theme was suggested by a story about an encounter in South America between the writer Bruce Chatwin and archaeologist Maria Reiche.