The Intimate World of Josef Sudek, Jeu de Paume, Paris
Josef Sudek was the creator of deeply-felt photographs that made use of the everyday sights he encountered in order unearth moments of great beauty and the potential for great destructiveness.
Josef Sudek was the creator of deeply-felt photographs that made use of the everyday sights he encountered in order unearth moments of great beauty and the potential for great destructiveness.
The 2016 edition of the Transart Triennale, entitled The Impercepctible Self, takes place at Uferstudios, Berlin, from 5-7 August.
This year, the UK’s largest contemporary art festival, Liverpool Biennial, sees 42 artists creating work at locations across the city, from Tate Liverpool to Cains Brewery to local supermarkets.
Having featured on the cover of Aesthetica for two issues, we catch up with Kourtney Roy about her most recent photographic series, Northern Noir.
The impulse to preserve and save objects, which is fundamental to the whole enterprise of museums, galleries and other collections, comes under scrutiny in the New Museum’s latest multi-floor exhibition.
The 19th International Festival of Photography and Visual Arts PHotoEspaña takes place this summer. Following its opening at the beginning of June, PHotoEspaña continues to host a wealth of exhibitions across the city of Madrid.
At Pace London, the gallery has come alive with Louise Nevelson’s ingenious forethought that was at the epicentre of illustrious career and life.
Shedding lights on the borders, both visible and invisible, that can define and control us, Wolfgang Tillmans’ exhibition at Maureen Paley in London features new and previously unseen work.
Mike de Sousa works with light, sound and words – sometimes in isolation, and often together. Aesthetica caught up with the artist to discuss his creative practice.
This summer Hauser & Wirth Zürich celebrates the work of the late American sculptor, painter and draughtsman, David Smith. The artist transformed the innovations of European modernism into a richly diverse new artistic language.
Works of Alexander Calder and Fischli/Weiss, from the early and late-twentieth century are now in dialogue, thanks to the Fondation Beyeler.
Reporting From The Front is the title of this year’s Venice Architecture Biennale, and the theme was suggested by a story about an encounter in South America between the writer Bruce Chatwin and archaeologist Maria Reiche.
Charlotte Colbert’s works come to Gazelli Art House, London, this July. Colbert creates visual narratives using the familiar emojis of instant communication.
The Age of Abstraction: Women Artists includes various pieces from artists Sonia Delaunay, Gillian Ayres and Tess Jaray. Delaunay was the first to create something new – a “visual language”.
Conceptual Art in Britain 1964–1979, currently on show at Tate Britain, explores a pivotal period in British art history. We speak to Andrew Wilson, Curator, about this landmark exhibition and its accompanying publication.
The V&A presents a collection of the most significant work by Ove Arup, as well as previously unseen photographs, models, drawings and prototypes in the first ever retrospective of the philosopher-engineer.
Sisters Sally Ann & Emily May Gunawan have nurtured a love of photography since their youth, which was inspired by the distinctive nature of fashion editorials.
Ahead of its official opening on 18th June, Aesthetica speak to Francesca Genovese about The Francesca Maffeo Gallery in Leigh-on-sea, Essex.
Artist Lado Pochkhua takes on post-Soviet identity in his draftsman-quality renderings of Georgian aristocracy. We speak to Pochkhua ahead of VOLTA 12, where is presented by Project ArtBeat.
