Dual Masquerade
The work of British artist Gillian Wearing and French photographer Claude Cahun are displayed together for the first time at the National Portrait Gallery.
The work of British artist Gillian Wearing and French photographer Claude Cahun are displayed together for the first time at the National Portrait Gallery.
From Selfie to Self-Expression at Saatchi, London, asks questions about the changing notion of photography, portraiture and the digital era.
Milan Design Week is the largest trade fair event of its kind. We round up a selection of must-see sections and exhibitors from this year’s edition.
Robert Mapplethorpe breaks down the boundaries between life and art. His desire to achieve aesthetic perfection is a central part of this new retrospective.
Fondazione Sandretto Re Rebaudengo, Turin, presents a previously unseen collection of Hiroshi Sugimoto’s photography, highlighting time and space.
Stefan Brüggemann’s masterful wordplay and conceptual rigour coalesce to create a body of work that focuses on appropriation and displacement.
Inspired by Gustave Flaubert and Maxime du Camp’s journey through Egypt, Fouad Elkoury captures an essence of romanticism in Suite Egyptienne.
As far as timely exhibitions go, Wolfgang Tillmans’ current exhibition at Tate Modern, London, is charged with the heartbeat of today’s news.
The Turner Prize is making some historic changes to its eligibility criteria. Tate reveals that the renowned award will now welcome artists of any age.
Held in the birth-place of naturalist Charles Darwin, Evolution Explored chronicles the universal and regional shifts taking place across the world.
Laura Allard-Fleischl’s Seaside Siren and Between Planets series combine fashion and art photography, striking an intriguing balance between organic forms.
Now in its third year, Photo London has become a powerhouse for international galleries to showcase the revolution of an ever-expanding medium.
Girl on Girl, a new anthology of women photographers investigates the notion of portraiture and assumed perceptions in the 21st century.
This third edition of Diffusion takes revolution as its central theme, utilising the medium of photography to document the repercussions of global revolts.
Influenced by how nature is presented in media, Thomas Wrede’s Real Landscapes reproduces topographies, spanning simulation and reality.
Designers from South Africa are looking at new ways to innovate and create awareness about the country’s burgeoning fashion industry.
Building up an intimate relationship between individuals and their surroundings, Hideaki Hamada creates a softly-list conceptual playground.
Cerith Wyn Evans’ takeover of the Duveen Galleries at Tate Britain, London, welcomes audiences into a conceptually responsive environment.
Devised by the Resistance and Deportation History Centre, Les Jours Sans plunges viewers into the life of the French during and after World War II.
