Conceptual Programming
Helen Knowles’ The Trial of Superdebthunterbot is a piece of conceptual art where the calculation of guilt is tried and tested.
Helen Knowles’ The Trial of Superdebthunterbot is a piece of conceptual art where the calculation of guilt is tried and tested.
After Us, from the K11 Art Foundation, and the New Museum, examines the possibilities that alternative digital personalities facilitate.
Sonia Boyce centres on a performance piece that explores issues of power in the interplay between an audience and those on the stage at ICA, London.
Daisuke Yokota embarks upon investigations into the tactile aspects of photography, seeking to provide new perspectives on the medium.
Within the digital domain, art is given the ability to transcend physical and conceptual boundaries, to break free from the frame.
Internationally renowned, the Aesthetica Creative Writing Award is now open for entries for its 11th year, inviting both emerging and established writers.
Japanese artist Tamao Narukawa takes a poetic approach, using metaphors and parables, creating a juxtaposition of humour and seriousness.
The 11th award is now open for entries, until 31 August, offering two separate accolades: the Main Art Prize and the Emerging Art Prize.
The idea of “negative space” is essential to British artist Oliver Beer, who confronts the audience with what is not there and highlights the emotional value of objects.
At a time of mass displacement, Richard Mosse depicts migrants through a weapons-grade camera that enters the eye of a missile.
With renowned album art from bands such as The Rolling Stones, The Beatles, Pink Floyd and David Bowie, the power of cover art is something to be marvelled at.
Cortesi Gallery, Lugano, plays host to a selection of 29 pieces from the late Louise Nevelson, spanning two decades from the 1960s to 1980s.
Pace Gallery traces the artistic legacy of Keith Sonnier, exploring his career from early pieces in neon and mixed media, to a vibrant new series Ebo River.
Barbara Kasten’s restless innovation and unique artistic vision comes to the fore of Intervals, an exhibition that encompasses both historic and recent work.
Figurative Geometry, placed within Collezione Maramotti’s headquarters, represents a balance between stillness and provocation.
FORMAT17 is centred around the concept of habitat, with work by more than 200 international artists who document the world around them.
The recently published Aesthetica Creative Writing Annual 2017 unites 60 international writers, both established an emerging, in an inspiring collection.
At the BALTIC Centre for Contemporary Art, Gateshead, Bonvicini undermines the relationship between architecture and sexuality.
French Canadian artist Micheline Robinson seek to challenge our perceptions and notions of beauty whilst playing with our sense of light and space.
