Concerned with the disintegration of humanity, Goshka Macuga (b. 1967) poses fundamental philosophical questions in his contemporary artistic practice, including a striking address to the inevitable aspects of life. Fondazione Prada presents the Polish artist’s solo exhibition To the Son of Man Who Ate the Scroll, until 19 June.
Coinciding with Manchester’s Year of the Monkey celebrations, the CFCCA launched its 30th anniversary programme in February. We speak to curator Ying Tan about the centre’s commitment to representing Chinese arts in the UK.
Revealing the extent and impact of William Henry Fox Talbot’s pioneering experiments with photography, London’s Science Museum presents a major new exhibition on the rise of a medium.
KARST’s white gallery warehouse is preoccupied by surfaces in its latest seven person show. The Earth is Our Radio draws on all manner of barriers, boards and blockades, with tell-tale markings of run down urban environments and revalued economics.
BALTIC presents the first solo UK exhibition by Omer Fast, best known for his video works that question the conventions of storytelling, media reportage and historical representation.
Taking place in New York City, from the 3-6 March, The Armory Show represents an essential event in the artistic calendar. The 22nd edition features emerging and established artists, represented by 205 galleries from 36 countries worldwide.
Wellcome Collection has opened the second part of a year-long exploration into human consciousness. States of Mind examines the universal topic of conscious experience. We speak to the curator.
Michael Simpson’s Flat Surface Painting at Spike Island, Bristol, is rooted in a fascination with Venetian and early Flemish painting, questioning the nature of painting itself. We review the show.
American artist Robin Kang (b.1981) threads nuances between technological advances and the history of the textile industry via Jacquard loom handwork and patterned circuitry imagery.
Robyn Saurine’s art is influenced by experiences and travels in the Australian Outback, Asia and Italy. She explores the world of texture, portraiture, stylised drawing, colour and collage.
The Whitworth brings Ben Rivers’s most ambitious work to date to Manchester. We speak to Mary Griffiths about Rivers’s film that migrates between the realms of documentary, fantasy and fable.
Brittany Nelson’s medium of choice is the tintype, a unique direct-positive exposure used for portrait photography. Tintype in the 1850’s was the foremost technological advancement in photography, and Nelson adds a further dimension to this process, combining it with 21st century practices and bringing it into the purely material realm.
Hauser & Wirth Somerset are hosting a major solo exhibition of new and recent work by Subodh Gupta, bringing together a sculptures and installations by the New Delhi-based artist. We review the show.
Glasgow International Festival’s seventh edition opens on 8 April 2016. Directed by Sarah McCrory, the 2016 programme is comprised of new works, site-specific commissions and events across the city.
Focused on a series of sculptures from a crucial decade in Alberto Giacometti’s life, this London show provides a deep insight into the development of the Swiss sculptor and painter’s practice.
Whitechapel Gallery’s Electronic Superhighway brings together over 100 works to show the impact of computer and Internet technologies on artists from the mid-1960s to the present day.
Carolina Amaya is a visual artist from Colombia. She works with mixed media materials such as textiles, photography, oil and acrylic, exploring the subject of dreams, intuition and other ways of life.
Kunsthal Rotterdam’s exhibition Astonish Me!, is a collaboration with Musée de l’Elysée, Lausanne, and includes more than 300 never-before exhibited works, including prints and photomontages.
Dean Melbourne unveils his second solo show in London this February at Gallery 8. Curated by Coates and Scarry, the exhibition showcases Melbourne’s most recent paintings and works on paper.
