Dehumanised Perspective
At a time of mass displacement, Richard Mosse depicts migrants through a weapons-grade camera that enters the eye of a missile.
At a time of mass displacement, Richard Mosse depicts migrants through a weapons-grade camera that enters the eye of a missile.
With renowned album art from bands such as The Rolling Stones, The Beatles, Pink Floyd and David Bowie, the power of cover art is something to be marvelled at.
Cortesi Gallery, Lugano, plays host to a selection of 29 pieces from the late Louise Nevelson, spanning two decades from the 1960s to 1980s.
Pace Gallery traces the artistic legacy of Keith Sonnier, exploring his career from early pieces in neon and mixed media, to a vibrant new series Ebo River.
Barbara Kasten’s restless innovation and unique artistic vision comes to the fore of Intervals, an exhibition that encompasses both historic and recent work.
Figurative Geometry, placed within Collezione Maramotti’s headquarters, represents a balance between stillness and provocation.
FORMAT17 is centred around the concept of habitat, with work by more than 200 international artists who document the world around them.
The recently published Aesthetica Creative Writing Annual 2017 unites 60 international writers, both established an emerging, in an inspiring collection.
At the BALTIC Centre for Contemporary Art, Gateshead, Bonvicini undermines the relationship between architecture and sexuality.
French Canadian artist Micheline Robinson seek to challenge our perceptions and notions of beauty whilst playing with our sense of light and space.
The 2016 Syngenta Photography award shortlisted artists consider the idea of Grow-Conserve, responding to a climbing demand in resources.
The psychedelic and experimental spirit of Yayoi Kusama is celebrated in a recent exhibition. Infinity Mirrors is an examination of her lasting legacy.
ShanghART Gallery marked its 20th anniversary with the opening of Holzwege, taking its title from the philosopher Martin Heidegger.
Following a competition held in early 2016, British-born Idris Khan was selected as the chosen designer of both the Memorial and the Pavilion of Honor.
Social injustice is a common theme in the works of Nick Cave; this installation stems from the deaths of Eric Garner, Trayvon Martin and Michael Brown in police hands.
Open Eye Gallery, Liverpool, delves into the cultural tapestry of North England, highlighting its profound influence on fashion, visual arts, culture and music.
Are you really my friend? at MASS MoCA reaches into the deeper questions of contemporary society: how our very existence is changing due to technology.
Gillian Wearing’s Rock ‘n’ Roll 70 at the ICA, Boston, consists of digitally enhanced portraits in an investigation of technology and modern day society.
Copiously applied oil paint forms the thick, textural layers of Jason Martin’s new works at Lisson Gallery, London, pushing boundaries into sculpture.
