The immersive installation from Sophia Al Maria, EVERYTHING MUST GO, captures the chaotic, almost apocalyptic nature of consumerism.

Brooke DiDonato pairs human experiences with uncanny visual elements and invites the subconscious into a playground of domestic settings.

J Bennett Fitts’ images display contrasts between urbanity and nature; saturated blues are placed against the muted palettes of utopian structures.

Ricardo Bofill’s La Muralla Roja in Alicante pays homage to the Arab Mediterranean, in particular to the adobe towers of North Africa.

Reginald Van de Velde’s photographs provide an oasis for reflection on the passage of time, offering a new perspective on abandoned settings.

Innovative photographic duo JUCO’s material provides an explosion of energy and blurs the lines between fine art and commercial assignments.

In Anna Di Prospero’s Urban self-portrait series angles of contemporary cities reach an intriguing equilibrium with expressive bodily contortions.

Aaron Feaver’s infectious oeuvre snapshots youth with optimism and compositional air. Bold, indulgent palettes reflect the lifestyles within the frames.

In the hidden depths of Australia’s most extraordinary museum, United Visual Artists uncover the lineage of creative expression.

Three major international fairs not only showcase new innovations in design but demonstrate the changing dynamic of art and commerce.

Strata – the title of Amie Siegel’s newest exhibition at South London Gallery – denotes a series of layers which are embedded within moving-images.

Serpentine Gallery, London, charts the career and legacy of John Latham, a figure regarded as a pioneer of British conceptual art.

An investigation into the relationship between narrative and imagery characterises the work of American artist Lisa Oppenheim.

On the occasion of Arte Fiera, MAST Foundation opens Work in Motion: The Video Camera’s Eye on Social and Economic Behaviour.

Two newly commissioned pieces by Patrick Hough and Lawrence Lek are premiered as part of the Jerwood/FVU Awards 2017.

Perception, movement and the relationship between the viewer and their surroundings are central themes within Olafur Eliasson’s practice.

Lauren Marsolier’s images alleviate the world of specific details and are displayed at PHOTOFAIRS San Francisco, courtesy of Robert Koch Gallery.

John Akomfrah OBE has been awarded £40,000 courtesy of Artes Mundi for the 2016 film Auto Da Fé, chosen from six socially responsive works.

The volatility of Chinese ink provides a new language through which Paula Klien contemplates change and the construction of art.

Vitra Design Museum both demonstrates the many forms that robots take today and raises awareness of the correlating ethical, social and political issues.