5 to See: This Weekend
Exhibitions running 20-21 January offer viewers the opportunity to reflect on the modern world, building platforms for introspection.
Exhibitions running 20-21 January offer viewers the opportunity to reflect on the modern world, building platforms for introspection.
The work of 19th century visionaries is the starting point for a new show at Foam, Amsterdam, which links photography’s inception with the modern day.
Living in a village by the sea near Lisbon, Tesera Freitas started out as a designer with a camera. Her works offers a place where fantasy meet aesthetics.
In 1921, influential poet T.S Eliot spent time in Margate. A new show draws connections between The Waste Land and visual arts.
Ann Shelton’s body of work occupies the space between documentary and conceptual photography, investigating collective histories.
In an accelerating landscape, fresh ways of understanding the world become important. Bloomberg New Contemporaries offers insight.
A new exhibition questions how India’s past, present and future are represented from a female perspective.
YSP has consistently positioned itself within the arena of creative social change, a notion continued in a collection that, quite simply, makes a difference.
Conceptual artist He Xiangyu’s recent film, The Swim, captures the uncanny truths of the practitioner’s childhood home.
In an age of gratuitous image editing and fake news, it is hard to distinguish artificiality from reality. Alex Prager investigates this confusion.
A site-specific installation by Christopher Page transforms the gallery space through a series of illusions.
Visionary artist Gordon Parks gave a voice to the under-represented through photography, words and music.
Theo Simpson combines materials, processes and technologies from the past and present to open up fresh dialogues.
The way society consumes information is shifting. MACK foregrounds the enduring conceptual importance and materiality of their volumes.
Valérie Belin is interested in artificiality and reality, questioning the construction of ideals by abstracting the human form.
Façades are designed to conceal hidden realities. Exhibitions running 13-14 January construct and dissect exteriors to investigate such illusions.
The term “soft power” is used to described how political rhetoric is deployed through culture. Jasmina Cibic examines this rhetoric.
An exhibition of immersive work by Do Ho Suh at Smithsonian, Washington, invites viewers to reflect on notions of home.
Jules Spinatsch explores the pervasive nature of technology in the 21st century, investigating the relationship between humans and machines.
