Our Children
Our Children is a harrowing depiction of one woman’s psychological decline, spiralling uncontrollably to an ending that is made more shocking by the simple treatment it is given.
Our Children is a harrowing depiction of one woman’s psychological decline, spiralling uncontrollably to an ending that is made more shocking by the simple treatment it is given.
Evocative, authentic rhythms and stunning Caribbean vistas combine in this
lighthearted, fish-out-of-water comedy about family secrets and failing ideals.
Art Cities of the Future examines the relationship between place and experimental creativity, picking out avant-gardes from 12 specific locations.
Channelling the dulcet, pained tones of Springsteen, Young Rebel Set’s lead singer Matty Chipchase echoes the cadence of Born To Run throughout Crocodile.
Eyemazing: The New Collectible Art Photography presents a phenomenal range of works, all assembled from the best of the magazine of the same name.
Elmgreen & Dragset occupy the former textile galleries of The Victoria & Albert Museum, London, with their rendition of a failed architect’s inherited home.
Street photographer Tod Seelie’s version of the city in Bright Nights completely redefines the concept of classic New York and is adamantly devoid of clichés.
A lieutenant colonel in the army, Gharem is the most significant Saudi conceptual artist of his generation.
Today the elderly former death squad leaders of Indonesia are venerated as heroes. One would assume they would be reluctant to explore their history. Not so.
The annual survey of contemporary photography at New York’s Museum of Modern Art reveals an art form in the throes of profound transformations.
The rebirth of Gary Numan over the past decade is testament to his significant influence on electronic music. Numan has returned to doing what he does best.
Eons of ritual and inflexibility are played in this unsettling tale, in which youth vies with age to outmanoeuvre the demands of societal mores.
Jeremy Leslie takes the magazine and questions how it is defined and how it has evolved over the past 10 years.
Paul Gravett’s painstakingly researched volume offers an eloquent polemic on the art of comics, populated with a wide and diverse selection of the art it examines.
Burning House effortlessly binds together a collection of songs a lot weirder than you could imagine from its composite parts.
Combining the genre of romantic comedy with 1950s France and colourful cinematography, Régis Roinsard’s Populaire is a heartwarming masterpiece.
Breathe In is a breathtaking thriller which seeks to articulate the unheimlich undercurrent swirling beneath the false smiles of America’s nuclear family.
David Zwirner recently presented a cross section of work spanning the length of sculptor Donald Judd’s prolific career, marking the first seminal show of his work since the Tate’s 2004 retrospective.
In this exhibition of new works, Idris Khan grapples with the unintelligibility of language and bristling storms of pigment to engage in a philosophical reflection on the possibility of transcendence.
