VIENNAFAIR
VIENNAFAIR The New Contemporary returns for its ninth edition. This year there will be new participants, including three from Berlin and galleries from Moscow, London and the rest of Europe.
VIENNAFAIR The New Contemporary returns for its ninth edition. This year there will be new participants, including three from Berlin and galleries from Moscow, London and the rest of Europe.
Ancient tradition and contemporary innovation merge as one in the singular work of Hiromi Moneyhun. A native of Kyoto, Moneyhun is a self-taught artist who creates intricate paper cut pieces.
Known for images that balance between documentary and staged photography, Philip-Lorca diCorcia’s East of Eden series opens at David Zwirner, London.
Finding life and energy in any and every location, Sergio Larrain’s protagonists appear unperturbed by the camera and continue with their everyday interactions.
Working everywhere from the Kenya to the Netherlands, Chaskielberg’s roots in photojournalism allow him to narrate specific environments and the individuals living within them.
Returning to the plastic creatures and vibrant colours of the amusement park during twilight, Eleonora Ronconi discovers a haunting environment.
A new show at the Whitney surveys performance art, casting an eye over the theatrical happenings at a scarcely charted moment in art history.
The Walker Art Center’s latest exhibition, 9 Artists, strips the concept of group show down to its core, dispensing with themes and showcasing artistic practice.
What strikes you first about the works of Jack Beswick are the strong slabs of colour that dominate the space. Aesthetica speaks to the artist to find out more about his work and future plans.
Forced Entertainment is set to premiere new piece Tomorrow’s Parties this week at the opening of Art Sheffield, following its success of The Thrill of It All in 2010 and The Coming Storm in 2012.
Jeremy Lovering’s dark psychological thriller explores the human capacity for violence, our primal phobia of the dark, and the notion of truth versus fiction.
Evocative and passionate are two words that perfectly encapsulate Zsófia Boros’ ECM debut, En Otra Parte.
As soon as the opening notes of Agnes Obel’s second album Aventine fill the air, it becomes impossible to stop listening.
The Lyric Hammersmith’s new season of Secret Theatre challenges preconceived notions of production and attempts to offer up a bold new alternative.
Musicians and corporations working together isn’t a new concept. However, lately the suits have been making some interesting moves. This is a tale of hip-hop, basketball and ice cream.
Based on actual events, Call Girl tells the story of underage prostitution among the Swedish elite in the 1970s.
Recognising pieces from 1989 to the present day, Grovier has created a compelling list of works that have had the greatest impact in recent times.
Our Children is a harrowing depiction of one woman’s psychological decline, spiralling uncontrollably to an ending that is made more shocking by the simple treatment it is given.
