Simone Felice
Raw, naked emotion remains through Strangers, a collection of songs about real people and real life situations with each number having a distinct sense of place.
Raw, naked emotion remains through Strangers, a collection of songs about real people and real life situations with each number having a distinct sense of place.
Opera, and indeed classical music generally, is healthy and thriving. However, there is still a need to attract the attention of the younger generation.
Humorous and bright, this is a joyful exploration of Dalí’s world and gives intriguing and comprehensive insights into his personal development and his art.
Spending two years as curator of the Frieze Foundation, Sarah McCrory is familiar with commissioning public art. She steps into the role of Director for the 6th Glasgow International festival.
Denis’ latest offering is littered with abusers and victims. The cause of their woes appears to be Laporte, a rich businessman, who becomes the focus of a thirst for retribution.
Berlin-based Denitza Todorova’s hip-hop-layered lyrics don’t waste time on metaphors, instead they are clear and concise with lashings of attitude.
Each song on this record is beautifully crafted, resembling a soundscape more than a traditional piece of music.
Fire in the Blood tells the story of how Western pharmaceutical companies and governments blocked access to low cost anti-retroviral drugs in the global South, causing millions of unnecessary deaths.
Vijay Iyer’s Mutations is a montage of piano, electronics and strings. Constructed from fragmented melodies, the instrumental songs are ever-evolving.
Art & Ecology Now is an extensive survey of nature’s impact upon art’s involvement and responsibility in saving the planet.
A celebration of adolescence in all its acne-ridden, rebellious glory, Matt Wolf’s Teenage is a compelling joyride through the evolution of the teenager.
Less a consideration of the inflexibility of faith than a portrait of desperate women, Fill the Void is a brave film.
The UK’s original contemporary graphic arts festival, Pick Me Up, returns for the fifth year. Celebrating graphic art in all its various formations, the event transforms Somerset House.
It’s one of life’s niggles that food never looks quite as good as it does in the picture. Be it glamorised packaging or botched recipe attempts, so often one is left thoroughly underwhelmed.
Video artist Julia Weißenberg is one of eight finalists selected for exhibition in the Aesthetica Art Prize show, taking place at York St Mary’s – York Art Gallery’s contemporary art space.
After the devastation caused by World War II, Britain was in desperate need of optimism and re-development. During the course of the war Britain suffered the tragic loss of 383,800 soldiers’ lives.
Cevdet Erek’s Alt: Üst at Bristol’s Spike Island initially subscribes to the linear reading of time, but on making the clockwise journey around the show, each of the aforementioned perceptions of time is in some way evident.
Scream in London will be opening an exhibition by Chinese artist Liu Bolin on the 3 April. The exhibition, titled The Heroic Apparition, is the latest in Bolin’s unseen works of camouflage trickery. Based in Beijing, Bolin’s work highlights the socio-political tensions within China.
With the Aesthetica Art Prize exhibition opening on 4 April, we speak to one of the finalists, who will be exhibiting in York St Mary’s along with seven other shortlisted artists. Elke Finkenauer was selected from thousands of entries for her piece Draw A Line Somewhere in the Painting and Drawing category.