Aesthetica Issue 82 Available Now
The April / May edition captures the zeitgeist of our times. We look at how the world is developing and how art and design are commenting on that.
The April / May edition captures the zeitgeist of our times. We look at how the world is developing and how art and design are commenting on that.
London-based Ming Lu is a multidisciplinary artist who combines contemporary techniques with an examination of social and cultural expectations.
Moving into April, exhibitions reflect on notions of place and time, offering new perspectives on an ever-changing world.
A large scale sculptural installation by Philip K. Smith III in collaboration with COS opens during international design fair Salone del Mobile.
JUCO return to Aesthetica with characteristically bold images that demonstrate excellence in art direction and photography.
A catalogue of the sublime everyday, Tekla Evelina Severin’s collection focuses on intimate, stylised instances and communicates a sense of joy.
Focusing on tropical motifs and idealistic landscapes, Adrienne Raquel’s works are playful and vibrant, communicating a sense of nostalgia.
Deeply mystical and ritualistic, Alexis Pichot’s series Marche Céleste establishes the supremacy of nature as a powerful, universal and innate force.
A Berlin-based studio brings bioplastic into the fashion industry by experimenting with plant-based processes to address the issue of waste.
Salvador Cueva’s images have been acclaimed for their representations of time and memory in the urbanised, almost ornamental metropolis.
Looking at the idea of social community as a model for idea generation, a team of Norwegian designers address global concerns through production.
Profiling the announcement of the annual awards through a celebration of structural excellence that pushes beyond aesthetics and functionality.
Shot largely on the same set of beaches in Portugal over two years, The Accidental Theorist depicts a series of instances that are devoid of explanation.
Circulation(s) returns for 2018, showcasing the imaginations of emerging photographers that touch upon wider social and political issues.
Spiral Scratch, a site-specific public art installation creates a kaleidoscopic arena of colour, line and form.
Addressing issues of exposure, Whitechapel Gallery in partnership with Collezione Maramotti present the annual Max Mara Art Prize for Women.
Bridging the boundaries between art, culture and philosophy, HowTheLightGetsIn Festival makes sense of the world through a diverse progamme.
Michael Pinksy’s innovative Pollution Pods recreate the air in London, Beijing, São Paulo, New Delhi and Tautra, Norway.
Talisman in the Age of Difference at Stephen Friedman Gallery brings together works by artists of African origin and its diaspora.
