The first American survey of work by John Akomfrah investigates the legacy of colonialism, climate change and the experiences of migrants.

Katrina Palmer’s new piece, opening at Yorkshire Sculpture Park, acknowledges a group of pioneering women during WWI.

Using infrared techniques, artist and photographer Sanne De Wilde captures Pingelap and Pohnpei, islands in Micronesia.

Candida Höfer: Portraits of Spaces depicts empty public places, presenting cultural institutions as devoid of human presence.

Exploring the interactions between individuals and the 21st century landscape, must-see exhibitions unearth the uncanny in the everyday.

Reshaping our understanding of industrial landscapes, David Maisel’s Atlas demonstrates the physical impact of human activities.

Inspired by the studio spaces of Luis Barragan, and Ricardo Bofill’s La Muralla Roja, Massimo Colonna’s images provide an arena for uncanny movement.

New media has changed the way we communicate. A series of talks at the Aesthetica Art Prize exhibition contextualise the show,

Marco Miehling, winner of the 2017 Artists’ Collecting Society Studio Award, creates site specific, spatially & historically responsive works.

Leslie-Lohman Museum brings together work by 12 emerging photographers who engage with ideas of sexuality, gender, race and ethnicity.

Bringing together work by Zoe Wetherall and Ashok Sinha, Front Room Gallery’s Strata investigates the medium of aerial photography.

Trevor Paglen: Sites Unseen, a new show opening at Smithsonian, Washington, occupies the boundaries between art, science and investigative journalism.

In a new exhibition titled Architecture and People, Nederlands Fotomuseum brings Werner Mantz’s architectural and portrait works together.

Coinciding with Art Basel, photo basel, Switzerland’s first photography fair, investigates the boundaries between truth and fiction.

Design duo Objects of Common Interest is known for creating still life installations and experiential environments.

Founded in 1995 in the city of Gwangju in South Korea, the Gwangju Biennale is Asia’s first and most well-known contemporary art biennale.

Tish Murtha captures a sense of timelessness through photography that addresses neglected youth in the north of England.

Deconstructing myths and clichés, Wild West is the outcome of a trip that Joachim Hildebrand took around the seven states of the American Southwest.

Wim Wenders’ visual diary of instant snapshots from the 1960s – 1980s offers a glimpse into life on set that predates social media.

I Was Raised on the Internet looks at a specific moment in time to explore the rapid cultural shifts the world has experienced since the millennium.