5 to See: This Weekend
From documentary realism to uncanny compositions, photography shows running 23-24 June engage with diverse aspects of daily life.
From documentary realism to uncanny compositions, photography shows running 23-24 June engage with diverse aspects of daily life.
Lee Miller and Surrealism in Britain is the first exhibition to track the photographer’s engagement with the movement.
Depicting optimism and honesty, Feinstein’s street photography from the latter half of the century continues to delight and inspire.
In a growing digital landscape, the boundaries of photography are constantly required to evolve. PHOTOFAIRS Shanghai explores this notion.
A new publication by Katrin Tiidenberg looks at the social, technological and cultural contexts of the 21st century selfie phenomenon.
An honest representation of joy and community spirit erupts from Shirley Baker’s images, which document the effects of urban clearance programmes in Manchester during the 1960s.
This summer’s must-see solo exhibitions, group shows and biennales demonstrate the UK’s dynamic artistic landscape.
The first UK retrospective of work by American photographer Dorothea Lange opens at Barbican Centre, London, this summer.
Jacques Henri Lartigue: Life in Color offers personal insight into the photographer’s wider oeuvre and the vividness of the world.
An interest in colour, shape and light defines Franco Fontana’s practice, investigating the possibilities of photography.
Constructing a series of neon utopias, Reine Paradis’ surreal images celebrate the perplexities of the contemporary Los Angeles landscape.
Mark Wallinger’s recently opened public artwork reflects upon notions of justice and democracy, offering an immersive experience.
Bringing together London’s leading galleries, Mayfair Art Weekend celebrates the diversity of London’s artistic landscape.
As part of arts festival Rockaway!, Museum of Modern Art presents Yayoi Kusama’s site-specific installation of Narcissus Garden.
Jo Kalinowski is inspired by identities. With British urban roots, she now lives in Australia, exploring the spaces between manmade and natural landscapes.
Delving into the formal structure of the built environment, Michael Wolf’s practice uncovers the complexities of life in the metropolis.
Taken between 1974-1976, Langdon Clay’s atmospheric images of cars in New York City capture the aesthetic of an era.
Aesthetica Art Prize alumnus Sara Morawetz’s latest project, étalon, is a study of both the length and the lengths taken by science.
The first American survey of work by John Akomfrah investigates the legacy of colonialism, climate change and the experiences of migrants.
