Alison Ellis is an illustrator; a love of dragons drives her to create monsters and other characters, as expressed as prints, zines and sculptures.

Illustrator Amelia Wilson-Wood’s energetic imagery is focused on organic and natural forms – combined with a love and passion for music.

Manipulating light is Amy Majed’s primary aesthetic, with both artificial and natural light coming together in an amalgamation of forms.

Method and media are interconnected in Ashlee Hallas’ portfolio. Her approach often consists of deconstruction and collage.

Bethany Wilson’s work explores bodily landscapes through drawing, mark-making and staining with inks and watered-down pigments.

Ellie Greensmith’s work taps into the widespread emotions from the past 12 months, exploring crucial conversations about mental health.

Emma Henderson is a queer visual artist from Yorkshire who mainly uses photographic practice to produce gender-bent and LGBTQ+ inspired art.

Evie Webb is a photographer exploring the innate merit, necessity and virtue of mortality and the ageing process, harking back to Dutch Vanitas.

George Strachan’s drawing-based practice is rooted in experimentation, process and enquiry – making rubbings from a textured surface.

Grace Alison used photography, sculpture and craft media to create a multi-dimensional series exploring her Nana’s home after being unused.

Hope Mitchell-Graham’s craft-based work focuses on her identity as a woman and how this intersects with a new identity as a disabled person.

Ilyscia is a digital artist whose focus on characters and the human figure are inspired by manga, and provide an intimate lens into a fantasy narrative.

Jack Bowman is a studio portrait photographer interested in the properties of visually compelling aura imagery.

Jack Tyler Kennedy is a photographer whose interests vary from landscapes and portraiture to the abstract, to show the beauty of the world.

Jake Stephenson roams the Yorkshire landscape, producing square format monochrome photographs of the region’s Brutalist architecture.

Jay Villacci’s Alienation series of photographs conveys a sense of abandonment and entrapment prevalent within British identity.

Jess Hargreaves describes her practice as “contemporary irreverence.” Through her work, she translates personal reactions to the everyday.

Jess Thompson is a portrait photographer who uses her camera as a tool to enhance wellbeing alongside a reflective practice.

John Cutting is driven to create awareness of the neglectful interferences that mankind has imposed on their natural surroundings.

Laura Campbell communicates her experience of chronic illness and the impact it has on the body through intimate and intrusive artworks.

Lauren Summerson is a photographer whose work centres around portrait and product photography. She uses images to explore socio-political issues.

Liv Sanderson’s aim is to produce images which best describes her subjects and portrays them in a light that best represents them.

Logan Downie’s illustratrations are used as a celebration of fantasy and horror genres as well as for their subtextual links to queer identity.

Luca Roys is invested in “night studies” as a genre that delights and inspires, as familiar places are cast as underworlds of play and potential.

Making sculptural obstacles is a main theme within Lucy Nettleton’s practice; the artist compels the audience to engage with her work.

Maria Anderson is an abstract artist whose work challenges personal identity within the surrounding environment.

The recent work of Matthew Jinks focuses on media and social canon – and how its impact can affect the viewpoints of society,

Mia Ferullo uses self portraiture as a method to regain control over the perception of one’s body, depicting her figure unapologetically in paintings.

Molly Leigh’s work explores gothic horror themes of the monstrous, isolation and the occult, with focus on relationships between characters.

Morgan Scott creates illustrations and sculptures based on female empowerment and sexual liberation, questioning representations of women.

Steventon’s work explores the link between writing and sewing, stitch and word. It’s an exploration of communication and messaging.

Natasha Ahmed is an artist who lives and works in Sunderland. She takes an abstract approach, with texture and colour being the main factors.

Niamh Cullen is an aspiring children’s illustrator whose work is focused on the playful, exploring themes of childhood, magic and wonder.

Penny Park is a photographer who explores the tension between nature and manufactured structures by capturing neglected environments.

Photographer and photo editor Rachel Howard explores cultural and socio-political issues relating to mental health, sexuality and gender.

Sarah Dallow’s work is centred on the portrayal of the female body, combining flesh with unfurling petals, framing limbs with a delicate touch.

Sjon Barnes explores “Non-Places”, which he defines as a space that, without humanity or the idea of capitalism, would cease to exist.

Sophie Cown is an architectural photographer whose work is built upon capturing and altering the perception of modern buildings.

Sophie Martin’s practice considers 2D and 3D approaches to painting through the use of multiple delicate and easily manipulated materials.

Sophie Rothwell’s The Archives superimposes one moment in time on top of another, with the image highlighting its own construction.

Steph Williams’ latest work addresses her experience of life in Covid19 lockdown: a personal struggle with the turmoil of heightened anxieties.