Organised by Aesthetica Magazine, in partnership with York Museums Trust, the Aesthetica Art Prize is a celebration of excellence and innovation in contemporary art from across the world.
Martin Creed’s first ever retrospective opens at the Hayward Gallery, London, this spring, exposing the large body of work of the genre-defying artist.
Over 300 photographs and documents will expose the extraordinary career of one of the 20th century’s leading photographers at Philippe Halsman, Astonish Me! Open from 29 January.
Uri Aran has spent the past two months living in the South London Gallery’s artists’ flat. His new exhibition is his first solo show in the UK and includes a collection of works created during the course of his stay in London.
There’s still time to get along to Art Basel Miami Beach. As well as the stunning list of exhibitors, there are sectors allowing visitors to explore the many dimensions of Modern and contemporary art.
Philip Davenport curates the world premiere of The Dark Would as part of the Summerhall Winter Visual Arts Programme. This exhibition seeks to re-position artists alongside poets and “outsiders” and free up space for a new wave of practitioners.
A group show that proposes a dialogue between historical and contemporary sculpture, attempting to draw a line between a lost past, a sensuous present and an imagined future has to work hard to justify its audacious blurb.
Lisson Gallery is widely known as one of the most influential and longest-running contemporary art galleries in the world. Its two exhibition spaces in London champion the careers of pioneering artists.
Future Beauty: Avant-Garde Japanese Fashion, is an exhibition of nearly 100 dresses, skirts, gowns and suits that celebrate the innovation of Japanese fashion designers.
Fiona Shaw presents her version of The Rape of Lucretia at Glyndebourne. This is Glyndebourne’s first production of Britten’s masterpiece since its world premiere at the opera house in 1946.
A new show at the Whitney surveys performance art, casting an eye over the theatrical happenings at a scarcely charted moment in art history.
A mysterious final word ‘mayonnaise’ is how Richard Brautigan ended his most well known publication, Trout Fishing in America. Kool-Aid Wino at Franklin Street Works takes its name from the book.
A Journey Through London’s Subculture at the Old Selfridges Hotel is part of the ICA’s Off-Site. The exhibition illustrates a perceived thread of creativity between the post-punk era and the present day.
Jason Rhoades, Four Roads at ICA Philadelphia will be the artist’s first major exhibition at an American museum, revealing his sprawling environments made from a wide range of materials.
Sculpture in the City shows works by Robert Indiana, Jake & Dinos Chapman, Antony Gormley, Keith Coventry, Richard Wentworth, Shirazeh Houshiary, Jim Lambie and Ryan Gander across London.
Presented on a series of trestle tables and shelves punctuated by black chalkboard panels A Book is A Performance at Centrespace displays a broad selection of artists’ editions and multiples.
The Edinburgh International Film Festival searches for the world’s best emerging filmmakers, while also providing a rich platform for discussion.
The Toulouse International Art Festival opens today. Promising to be a unique and inspiring event, this years festival is entitled Artist Comes First, which was also the artistic approach to the presentation.
This weekend Linder Sterling presented her UK premiere of The Ultimate Form, a physical collage that combined dance, costume, music and her provocative prints at The Hepworth Gallery.
