A Multitude of Soap Bubbles which Explode from Time to Time: Pino Pascali, Camden Arts Centre, London
Review by Paul Hardman This exhibition, the first dedicated to Pino Pascali in the UK, focuses on works from 1967 and 1968, the last few…
Review by Paul Hardman This exhibition, the first dedicated to Pino Pascali in the UK, focuses on works from 1967 and 1968, the last few…
Review by Regina Papachlimitzou Yellow Wallpaper, inspired by Charlotte Perkins Gilman’s story of the same name, examines and unravels themes of spatial confinement, escape and…
Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. Lisson Gallery’s newest exhibition highlights…
Review by Carla MacKinnon Wellcome Collection, a free visitor destination for the incurably curious has established an excellent name for itself as one of London’s…
Interview by Bethany Rex Clare Price’s new work represents a departure from the strictures of her previous work. Whilst adhering to the familiar formalist rules…
Interview by Bethany Rex Featuring works by Agata Agatowska, Geraldine Cox, Chris Dunseath, Sam Knowles, David Rickard and Chooc Ly Tan, Beyond Ourselves opens tomorrow…
Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. The Victoria and Albert’s…
Review by Alistair Quietsch With the recent announcement of the Arts Council England (ACE) cuts and funding decisions, the disbandment of the UK Film Council…
Review by Adam Harangozó Stepping into the exhibition, it’s immediately evident why it is called Critical Spaces. It is in a small room, and all…
Von Rydingsvard’s art is deeply personal, confronting the artist’s hardship. This essay is sensitive, yet critically engages with the works and presents an overview of the artist’s four decade career.
Review by Alistair Quietsch Seeped in conceptual layering and research, Jeremy Millar’s current show at the CCA is at times, a seemingly disparate show of…
American artist, Romare Bearden’s (b.1911) practice is complex and wide reaching. This exhibition at Michael Rosenfeld Gallery is the first to focus exclusively on collage…
Review by Colin Herd To accommodate Recent History, the Tate St Ives has reversed the sequence of galleries, so the show begins in Gallery 5…
Review by Ruaidhri Ryan “I’m not a film purist, for me it is about my own enjoyment; I really don’t feel part of a debate…
Review by Charles Danby The Jerwood Encounters series was launched in 2008 to investigate the margins of the primary fields of the Jerwood visual arts…
A disused terraced house in Bensham, Tyneside, which is scheduled for demolition, is to briefly enjoy a radical new life – as a contemporary art…
Review by Colin Herd In a tiny photograph of a domestic interior, the doors of an ornate wooden cabinet gape open. In the lower half…
Review by Emma Cummins In November 2010, the graduating students of the MA Curating Contemporary Art course at the Royal College of Art, invited the…
Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London The Embankment Galleries at…
