Taking place across a six-month period, from June to November, this year’s Biennale di Venezia seeks to understand the significance of art in a globalised…
Review by Lauren Sperring In our contemporary society, photography is a medium of the masses. It is taken for granted, a tool perpetually present, tying…
Round-up by Eftihia Stefanidi Closing on 22 May, Cannes 2011 was one to remember and though Cannes’ milieu may appear frivolous, tasteless and absurd from…
Review by Kara Magid, a candidate for the MA in Art History at Richmond, The American International University in London. Peter Marlow’s Point of Interest…
Review by Colin Herd The Greek myth of Narcissus has captivated Western civilization for centuries: an exceptionally beautiful, though proud and precious youth disdains all…
Examining the intersection between aesthetics and journalism goes back to Dostovesky and his writings on the theoretical link between a commitment to the aesthetic ideal…
Review by Sarah Richter, a candidate for the MA in Art History at Richmond the American International University in London. Decorating Euston Road in the…
Filmmaker Series – Part 4 Q&A with Daniel Wirtberg For the fourth instalment in our Q&A series with last year’s Aesthetica Short Film Competition winners…
Review by Jessica Jones-Berney As I follow the row of Philip-Lorca diCorcia Polaroids lined up against the otherwise sparse white walls of Sprüth Magers, it…
Review by Nathan Breeze Concrete Geometries is an ongoing research initiative at the Architectural Association directed by Marianne Mueller and Olaf Kneer. Derived from ‘Concrete…
Review by Grace Henderson Exposed, enclosed, surrounded – in Arthur Miller’s classic but timelessly terrifying drama The Crucible, no protagonist escapes these feelings. Set in…
Review by Matt Swain White Cube Hoxton Square presents the first solo UK exhibition by Friedrich Kunath. Born in Germany and based in Los Angeles…
To celebrate the V&A’s current Yohji Yamamoto retrospective, the V&A will stage two events exploring the influential Japanese designer’s work and offer the chance for…
Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. Six years after being elected…
Review by Amy Knight Sound has, perhaps more than any other sensory stimulation, a transcendental power that can immerse the listener in an all-encompassing awareness…
Review by Laura Bushell There’s a game children play when they want to enrage their siblings; that of repeating verbatim everything the other says. Maintained…
Review by Mallory Nanny, a candidate for the MA in Art History at Richmond the American International University in London. Located in the lively art…
Sam Knowles’ first solo exhibition, Fearful Sphere opens tonight in London. Knowles’ (b.1983) practice deals with metaphysical concerns, and the notion that the world…
By Sarah Richter, a candidate for the MA in Art History at Richmond the American International University in London. Ian Hamilton Finlay’s show currently at…
