The Great Moon Hoax contains the collaborative installation work of Kitty Wingate and Claire Davies and is currently on display at the Great Central Gallery & Studios in Leicester.

Opening with previews tonight and tomorrow, the Ovalhouse is set to launch Unbroken Line on 6 December. Running until 15 December the performance takes place in the Theatre Upstairs.

Rokas Darulis opens his first solo show at White Cloth Gallery, 6 December. Laying bare the subject of intimacy, this unique exhibition showcases the Lithuanian photographers powerful imagery.

The paraphernalia of the movie saturates the contemporary world. Since the Lumière brothers and George Méliès, artists have appropriated its affects and revealed its fictions. From 18 October.

Aesthetica Magazine – one of the most recognised and important art and culture publications both in the UK and internationally – celebrates its 10th anniversary with a spectacular 50th issue.

Aesthetica is 10 years old. It’s hard to believe a decade has passed since we sat down and started planning exactly what we wanted our magazine to be.

Yes To A Rosy Future is a collection of unsettling photographs that cast new light on the conflict in Syria. Nicolas Righetti arrived in Damascus when preparations for the Syrian election were under way.

Light from the Middle East: New Photography is an intriguing show currently on display at the V&A. Curated by Marta Weiss it showcases 30 artists from 13 Middle Eastern countries.

Valentino the man and Valentino the fashion brand are inseparable. In recognition of this Somerset House presents Valentino: Master of Couture, a celebration of the designer’s life and work.

Jo Longhurst’s exhibition Other Spaces at Ffotogallery looks at the concept of perfection and the social, physical and psychological undertones of a culturally bound and highly codified performance.

Bloomberg New Contemporaries opened this week at the ICA for the third year running. Independent of place and democratic to the core, New Contemporaries is open to all.

Taking place across London at Riverside Studios, Ciné lumière, and Prince Charles Cinema, Nordic Film Festival aims to celebrate the best in regional filmmaking, both past and present.

In his first large-scale solo exhibition in Britain, Ivan Seal presents a collection of paintings exploring his take on the still life genre. On view as part of In Here Stands It, until 9 December in Bristol.

The world is always in need of a good story, and one of the most popular ways to digest stories is via film. In acknowledgement of this, ÉCU searches to uncover talented story tellers.

Later this month, an all-female version of William Shakespeare’s Julius Caesar opens at London’s Donmar Warehouse, under the direction of the acclaimed Phyllida Lloyd (Mamma Mia!).

An artist on the fringe, Edvard Munch’s life experiences as well as natural setting, contribute to the manifestation of art work that explores themes of emotional turbulence and anguished silence.

Following on from a Tracey Emin solo show that tore in two the views of locals and critics alike, Alex Katz’s exhibition, Give Me Tomorrow, has a lot (or little, depending) to live up to.

Produced by performance group, Forced Entertainment, artistic director, Tim Etchells, speaks to Aesthetica about his approach to theatre and his soon to be released book, Vacuum Days.

Considered a protagonist of Arte Povera, an art movement that emerged in Italy during the 1960s, Jannis Kounellis embarked on his career by creating some of the most radical art works of the time.

In his new show at Lisson, Lawrence Weiner focuses on the concept of truncation, a mathematical term referring to the discarding of unnecessary digits, as an inherent meaning and material reality.