Marcel Broodthaers: A Retrospective
Previously exhibited in New York and due to show in Dusseldorf mid next year, Marcel Broodthaers: A Retrospective is travelling across cultural art capitals.
Previously exhibited in New York and due to show in Dusseldorf mid next year, Marcel Broodthaers: A Retrospective is travelling across cultural art capitals.
To celebrate the developing world of digitalisation, Kunsthal Rotterdam represent an impressive range of over 30 pieces from the Brown Family Collection.
To kick-start Camden Art Centre’s 2017 programme, Joachim Koester takes over three gallery spaces with an immersive installation of film, digital video, photography and audio, spanning a 12 year career.
The Prix Marcel Duchamp brings together the most innovative contemporary artists in France and to encourage new artistic forms at the Centre Pompidou, Paris.
Moich Abrahams discusses the dialogues between contemporary practice and the digital age, including spontaneity and the longevity of painting.
William Eggleston Portraits at the National Gallery of Victoria, Melbourne, surveys the career of the ground-breaking American artist who is regarded as a pioneer of colour photography.
Francis Alÿs is included in The Ruya Foundation’s National Pavilion of Iraq at the 57th Venice Biennale in May 2017, encompassing the notion of conflict.
The most extensive UK show to date from Tony Cragg is at Yorkshire Sculpture Park, Wakefield, this March. A Rare Category of Objects consists of pieces from up to five decades of the artist’s career.
Throughout January 2017 Pipilotti Rist’s Open My Glade (Flatten) 2000-2017 is mounted across 60 synchronised electronic billboards in Times Square.
Fondazione Prada finally opens Osservatorio, a reconverted space dedicated to photography and visual languages.
The DOX Centre for Contemporary Art, Prague, has recently revealed a unique architectural intervention perched atop the organisation’s campus.
2017 sees the 35th edition of Art Brussels, one of Europe’s most significant fairs. Since its inception, the festival has evolved into an influential event.
Hitoshi Tsuboyama tests a neutral approach to space, bringing together a Western three-dimensional style with an oriental planar style of painting.
Universidad de Ingeniería y Tecnología (UTEC) by Grafton Architects has been announced as the first winners of the RIBA Prize for the world’s best building.
British painter Laurence Wood is currently living and working in Hong Kong. Aesthetica discuss with him the notion of influence and cultural awareness.
Who’s Afraid of Colour? at the National Gallery of Victoria, Melbourne, brings together over 200 creations from 118 indigenous Australian women.
In Zaha Hadid’s early paintings and drawings, at Serpentine Galleries, London, viewers see her looking beyond the utopianist forbears.
The Faena Forum was revealed during Art Basel Miami Beach at the start of December, heralded as a pivotal landmark in the new cultural district.
Making Africa is a collaboration of over 120 artists who aim to provide a new insight into contemporary African design, celebrating its impact upon the art world.
