Highlighting functionality over complex shapes and unnecessary materials, Embodiment, published by Phaidon examines the portfolio of Naoto Fukasawa.

Antony Gormley is known for an interest in the spatial relationships between human bodies and the surrounding landscape.

Giacomo Infantino’s work uses staged scenes to evoke intimate and personalised narratives. The featured images outline places in Varese.

Future Now provides an imaginative platform for attendees to consider the arts ecosystem within a broader social, political and professional context.

The top picks for 24-25 March engage with art history, reinventing traditional approaches through photography and installation.

Work by Nathaniel Rackowe examines the changing nature of the built environment, reflecting on the life cycles of urban dwellings.

Work by James Casebere features as part of an exhibition exploring the relationship between photography and architecture.

James Turrell is internationally known for an engagement with natural and artificial light sources, expanding the boundaries of perception.

Smithsonian American Art Museum, Washington DC, offers an incredibly idiosyncratic installation – a trip down Do Ho Suh’s memory lane.

Marian Goodman Gallery, Paris, revisits Ettore Spalletti’s monochromatic, minimalist panels with What is the most profound in a man, is the skin.

Practitioners featured at The Other Art Fair explore and subvert the everyday through new and surprising methods.

By 2050, 70% of the world’s population will live in urbanised surroundings. Current exhibitions embrace, escape and offer solutions to this issue.

A new exhibition celebrates the British seaside experience through the lenses of Tony Ray-Jones, David Hurn and Simon Roberts and Martin Parr.

Czech practitioner Jaromír Funke pushed the limits of photography through an experimental use of light and shadow.

A strong sense of narrative permeates Robert Frank’s oeuvre. An exhibition explores work created in Paris, England, Wales and the US

The Whitworth showcases its latest major moving image acquisition – Isaac Julien’s Ten Thousand Waves.

New York Times invites a mix of practitioners, industry experts and prolific tastemakers to discuss the most pressing issues in art today.

Only 30% of artists represented by commercial galleries are women. Exhibitors at Photo London foreground a strong female presence.

Monty Kaplan fluctuates between modes of working. Colour is rendered as an emotive backdrop, carrying a sense of joy and woeful nostalgia.

Dan Flavin’s pioneering body of work is designed to be experienced, engaging with the minimalist language of fluorescent light.