Aesthetica Magazine Issue 54

August / September 2013

This issue pays homage to artists who are pushing the boundaries and doing things in new and exciting ways. The pages within are a celebration of creativity in its many forms. It’s the desire to lead, not to follow, which shouts loudly throughout this edition. Inside we start with the Jason Rhoades, Four Roads retrospective, which opens at ICA Philadelphia and surveys the work of this extraordinary artist. The Rediscovery of the World is the latest exhibition to open at Huis Marseille, Amsterdam, showcasing a new wave of contemporary Dutch photographers. James Turrell opens three shows simultaneously, each examining the artist’s groundbreaking explorations of light, colour and space.

At the moment of being heard  is currently on at South London Gallery and presents works and performances by a group of international artists and composers who are questioning modes of listening. In photography, we look at highlights from Only in England, which juxtaposes the work of Martin Parr and previously unseen pieces by Tony Ray-Jones. We also present a series of works from Joel Sternfeld, who is known for large-format documentary images. Finally, we introduce the talents of Julie Blackmon and Gail Albert Halaban along with a series from Jean-François Lepage.

In film, we speak with Oscar winning director Fernando Trueba about his latest feature The Artist and the Model, which explores the relationship between an artist and his muse. We also chat with Laurent Cantet about his new film Foxfire, set in 1950s America, in which five teenage girls set up a gang to interrogate patriarchal society. In music, we look at the rebirth of headphones as an essential fashion accessory, while Local Natives talk about the release of their second album, Hummingbird, which combines beautiful melodies and Americana. On stage, Punchdrunk’s latest immersive production, The Drowned Man: A Hollywood Fable, has audiences enamoured with their signature experiential work. Finally, Sorcha Carey, Director of the Edinburgh Art Festival, has the last words, speaking about this year’s event. Enjoy!

Airline Style at 30,000 Feet

Airline Style is a compendium that highlights the different eras in aviation, the accompanying change in styles and the overarching views of society.

Momentary Views

Choosing a palette of bright hues, ordinary people and American landscapes, Joel Sternfeld is a multi-award-winning master of photography.

Samaris

Samaris is an unusual combination of clarinet, electronica and vocals. In the broadest sense, the music is down-tempo techno, possessing an otherworldly charm.

Post Tenebras Lux

It is still up for debate whether Carlos Reygadas’ Post Tenebras Lux is a richly rewarding tapestry of connubial complications or an indulgent self portrait.

Sorcha Carey

Sorcha Carey, Director of Edinburgh Art Festival, takes on the task of directing an experience for over 250,000 visitors.

Ravens + Chimes

It’s easy to see why Ravens + Chimes is developing an increasing fanbase – the band doesn’t miss a step with its latest offering, Holiday Life.

Atlanter

Atlanter produces an intriguing mix of rock with desert blues, classic psych and a stream of repeating vocals.

In the House

Teacher Germain becomes drawn to charismatic pupil Claude who, in turn, is fascinated by fellow pupil Rapha and his “perfect family”.

The Lucid Dream

The raging and pulsing cacophony that is How’s Your Low When You’re Low Alone may well be the most enthralling introduction to a debut album this year.

Surf City

Hailing from New Zealand, Surf City upholds its sturdy shoegaze, indie reputation, and breezily strolls through ample amounts of plodding melancholia.

Pure Bathing Culture

Heavily overproduced lo-fi pop is the order of the day, as Pure Bathing Culture ambles through its debut release.