Connecting with the World
Books. Pianos. Window frames. Suitcases. Clothes. These are just some of the items to be found tied up within Chiharu Shiota’s mesmerising installations.
Books. Pianos. Window frames. Suitcases. Clothes. These are just some of the items to be found tied up within Chiharu Shiota’s mesmerising installations.
Aesthetica marks 20 years since the first issue was published. This edition is dedicated to the power of creativity, the arts and independent print.
Experiences of forced migration are examined through utopian dreams. Duo Cooper & Gorfer expose the inner and outer realities for women.
Dreamscapes is a world of elegant imagination. James Tralie’s digital renders reconstruct natural environments and architecture into serene scenes
Maria Lax’s spellbinding images utilise innovative camera techniques to transform figures, buildings and plants into cinematic, otherworldly creations.
Celebrate the publication’s 20th anniversary as one of the founders discusses how the magazine has become a trusted voice in contemporary art.
Nadine Ijewere’s fashion photography redefines narratives of beauty, encouraging more diverse representation in front of and behind the camera.
Isaac Julien dismantles restrictive boundaries of genre and medium. Now, a landmark exhibition surveys four decades of his experimental practice.
Prince Gyasi incorporates vibrant palettes into intimate portraits of figures from his hometown, documenting the spectrum of human emotion.
Sebastiaan Knot’s geometric compositions are calculated manipulations of light. Shapes in bold colours are crafted through analogue techniques.
Victoria Sambunaris’ large-scale landscapes monitor human impact on the natural environment, illuminating water shortages and ecological crises.
Discover this year’s Future Now line-up, bringing together award-winning artists for talks that engage with themes from our rapidly changing world.
“A strange fluorescence occurs when certain minerals and materials are subjected to ultraviolet radiation.” Cody Cobb captures this phenomenon.
The Parthenon is an icon of global architecture. Adam Newman and Kelvin Tsang draw inspiration from its once-colourful artistic embellishments.
99 portrait photographers chronicle the past 12 months through the eyes of everyday people, key workers and national treasures from across Britain.
There is an inherent sense of mystery about forests. Here are five photographers – all featured in Aesthetica – who put them front and centre.
German photographer Jan Prengel looks beyond still life – instead capturing flowers and plant stems in motion, over an exposure time of 2-3 seconds.
Mark Power visualises historic weather reports, imagining beautiful, daunting seascapes of blustering winds, endless rainfall and churning waves.
Studio Brasch’s new images, crafted using the latest AI tools, combine fundamentals of Japanese Ikebana with abstract sculpture and new technologies.
Bernd and Hilla Becher blurred the lines between media, documenting now-demolished industrial structures across Europe and the United States.
Jamal Nxedlana is intent on creating “an alternative image repertoire to tackle biased views of Africa”, whilst celebrating Johannesburg’s cultural pioneers.
German photographer Tom Hegen’s aerial photographs investigate salt production, and the complex relationship humans have with the planet.
The history of aerial image-making can be traced to the mid-19th century. Michal Zahornacky reduces man-made structures to lines, curves and colours.
London Art Fair’s contemporary photography show returns, foregrounding artists who engage with Black and diasporic heritage through the lens.
“What does it mean to collect and exhibit?” This is the starting point for a group show that contemplates the role of galleries and museums.
Past and present collide in Omar Victor Diop’s work. The Senegalese photographer takes cues from western portraits to portray Black pioneers.
Nothing is quite what it seems in the work of Frank Kunert. The model maker and photographer’s studio images depict settings that are slightly askew.
Vision is not universal, but instead deeply personal and subjective. Wellcome Collection presents 140 objects for visitors to view, touch and explore.
What constitutes a photograph? Is it the moment the image is captured? Or the interactions that informed it? Elle Pérez focuses on the space in between.
In 1994, Canadian multidisciplinary artist Stan Douglas arrived in Berlin. He wasn’t drawn to the core of the newly unified city, but to its outskirts.
“Why do we feel that we belong in some places and not in others?” asks Lise Johansson, an award-winning photographer based in Copenhagen. The artist is interested in our relationship with spaces: how do they shape our identities? What influence do they have on politics, culture and social life?
Snow covered fields. Icy lakes. Glowing lights. These five lens-based artists create works full of intrigue and atmosphere – evoking winter’s chill.
Teresa Freitas is a Portuguese photographer whose soft yet vibrant images experiment with the psychology of pastels, evoking calm, peace and ease.
In Tamara Dean’s exquisitely performative images, humans are not simply living in harmony with the environment, but seamlessly become part of it.
How is the human body linked to the five elements? Ugo Rondinone’s three-part exhibition at Petit Palais, Paris, embraces the powerful fluidity of matter.
Richard Mosse’s latest moving image work uses satellite imagery and a custom multispectral camera to record stark footage of dieback in the Amazon.
From pop-coloured paper environments to landscapes filled with balloons, here are the six images featured on our 2022 newsstands.
We’ve taken a deep dive into our Archives, finding five creatives whose works respond to – and use – emerging technologies: to critique, calm and imagine.
Anna Carey’s photographs appear to be just that: photographs. Yet with closer inspection, it becomes clear that they are actually models in miniature.
Maker, educator and climate activist Brigitte Jurack’s largest solo show to date invites viewers to look slowly at their immediate environment.
The Turner Prize and Tate’s most recent Turbine Hall commission are amongst this season’s must-see UK shows, positioning art as a tool for communication.
Olgaç Bozalp’s monograph, Leaving One for Another, is a timely visual documentation of migration that combines documentary with fine art.
We are living in a moment of reappraisals, with new art books surveying art and photography that challenges gendered stereotypes in visual culture.
Multidisciplinary artist Wei Ting Chen was born in Taiwan and is based in Tokyo. His award-winning practice includes video art, performance and sculpture, along with paintings using acrylic and oil pastel, which are often accompanied by poems that correspond to the visual parts of a piece.
New York-based artist KangHee Kim produces images that help us imagine brighter possibilities – away from internet rabbit holes and live feeds.
Yuni Yoshida is interested in the appearance of fruits, vegetables and flowers. “No one is the same as any other… patterns and shapes give us fresh surprises.”
Machine intelligence artist Refik Anadol creates fluid sculptures from data-driven algorithms. A new show at MoMA proposes a world in which AI can dream.
A 50-year retrospective of Samuel Fosso’s approach to self-transformation – and engagement with historical legacies – inspires audiences globally.
In a new monograph, photographer Joshua K. Jackson highlights the importance of genuine connections within a socially isolated world.
The mirror is a symbol rooted in the history of art and culture. Émilie Möri, a French-Swiss photographer, works in this tradition.