Lingering amongst the rubble of loss, Hong Khaou’s feature-length debut, Lilting, dwells on the limits of language.

When John Maloof bought of a box of negatives in a Chicago auction, little did he expect to uncover one of the 20th century’s most important photographers.

An imaginative cluster of oddball pop that pursues spontaneity and contradiction at the very boundaries of the genre.

The artists in this book do not subscribe to a common philosophy of image-making; rather choosing to share social and technological methods of creation.

Racy marks a significant step forward both in terms of sound and creation for Hooray for Earth, a process in which each member has been more actively involved.

Dublin-based artist Kormac releases his sophomore album, and achieves both cinematic and genre-hopping intrigue.

Inspired by a dream to become a film director, Polish photographer Daniel Korzewa was drawn to the cinematic glamour of fashion imagery.

Joe (Nicolas Cage) bonds with Gary, a 15-year-old boy from a broken family with an alcoholic and violent father.

American Samoa is known in footballing history for losing 31-0 to Australia, but they believe that one day they will not only score but also win a match.

Combining Anja Lechner’s classical ear with François Couturier’s jazz background, the album makes for a unique listen.

Set in Australia’s desolate Outback, the brilliantly tense Mystery Road is nothing short of gritty. Bleached colours adorned with a scorched tinge are nestled in amongst a fine cast of actors.

We Were Promised Jetpacks isn’t a band that wants you to listen, it is a band that knows it will effortlessly have your attention.

This Is All Yours is astounding and lives up to the brilliance of the 2012’s Mercury Award-winning An Awesome Wave.

Working with the artist for nearly two decades, Dawson was not only Freud’s constant companion in the studio he was also one of his favourite models.

Watermark offers up a warning to mankind from the natural world: don’t throw away this resource and don’t take it for granted.

Barry Cawston uncovers the surprising beauty present in the seemingly mundane: his arresting photographs are often of still, silent settings, void of intrusive humanity and bursting with intriguing shapes, shades and angles.

Well known for his neutral, objective and almost indifferent images, Stephen Shore (b. 1947) broke the mould when he made his photographic debut in the 1960s.

A new exhibition traces the latest developments in the world of fashion, its international influences and its increasingly comfortable relationship with the institutions of fine art.

A new exhibition of works by the artist Lee Boroson at MASS MoCA explores human representations of the natural world through large-scale installations.

Interested in public and urban spaces, French photographer Franck Bohbot (b. 1980) unpicks the connection between individuals and the spaces they inhabit.

A new group exhibition explores the dilemmas, consequences and realities of London in the digital age through an array of multi-disciplinary works.

New York-based artist Richard Tuschman (b. 1956) shoots delicate photographs in which familiar reality collides with a dreamlike and nostalgic aesthetic.

Olafur Eliasson’s immersive installation, Riverbed, takes over and transforms the Louisiana Museum of Modern Art, in the museum’s first solo show.

Yann Demange’s debut feature film ’71 explores the universal anguish of war and civil conflict through its central character: a disorientated British soldier.

Ciara Phillips uses multifaceted techniques to interact with other artists, designers and local community groups.

The wild beauty of the Nordic landscape is brought to life in Sadler’s Wells new Northern Light season, celebrating dance from the northern hemisphere.

Ida is a stark portrayal of post-war Poland, challenging notions of religion and family bonds through a road trip undertaken by a Jewish nun and her Communist aunt.

Mish Way, front woman of fierce Vancouver outfit White Lung, meditates on her personal punk tenets for surviving and thriving in the 21st century.

Wysing Arts Centre celebrates its 25th birthday with a residency programme focusing upon ‘the future,’ exploring potential through what we know of the past. In response to an open call, more than 300 artists applied to take part.

Founded in 1984 by six recently graduated artists, the theatrical group have created numerous productions that have continued to play with language, staging, costume, lighting and the very nature of a performance piece.

In the Special 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising star.

The 16 October hosts the opening of Nabil Nahas’ new exhibition in London. The title of the exhibit, Phoenix Dactylifera, derives from the artist’s heritage and is the name of the native Date Palm tree from the Middle East.

The Modern Lens is the largest display of photographic works ever to be exhibited at Tate St Ives, looking at developments in international photography from the 1920s to the 1960s through the work of pioneering artists across the world.

The work of the late photographer Francesca Woodman is renowned for its distinct and innovative vision. Her black and white imagery exudes a unique sense of mystery and beauty that at once compels and disarms her audiences.

The Fondation Louis Vuitton is a new Parisian centre for contemporary French and international artistic creation, contained within a building commissioned by Bernard Arnault, and designed by the American architect Frank Gehry.

In 60th edition of Aesthetica we celebrated emerging photographers from LCC, highlighting those shaping the future of lens-based practice.

In 2010, David Chancellor won the Taylor Wessing National Portrait Prize with his iconic portrait of fourteen year old girl, Josie Slaughter, riding horseback with her trophy of a hunted dead buck.

For 10 years Berwick Film & Media Arts Festival has continued in its aim to turn the small northern town into one big screen. Festival-goers have been given the opportunity to watch hundreds of international film premieres in a plethora of unique settings.

Open for Business is a vast collection of over 100 dynamic and diverse images from nine leading Magnum photographers, including Martin Parr, Chris Steele-Perkins, Stuart Franklin, David Hurn and Peter Marlow will provide a behind-the-scenes look at contemporary manufacturing in the UK.

The Marseillaise(s) / fifteen years of collecting focuses on the development of five photographers: Valérie Belin, Jacqueline Hassink, Naoya Hatakeyama, Sarah Jones and Rob Nypels.

Within the space of Dundee Contemporary Arts, visitors eagerly clamber over contours of artificial green landmass, through a dense forest of cardboard cut-out animals and plantlife.

Taking over the third floor of The Wapping Project Bankside’s Mayfair location is a new, challenging exhibition programme, initiated by Jules Wright. This autumn the series kicks off with the first UK solo exhibition by Dutch photographer, Juul Kraijer.

Nestled in a small gallery adjacent to Manchester Art Gallery’s shop is a display of obscurely beautiful contemporary jewellery, which teeters on the edge of being fearsome. This is the world of contemporary artist Bernard Schobinger.

Artes Mundi 6 is a major contemporary art prize based in the UK, taking place bi-annually to bring together through an exhibition some of the world’s most celebrated artists of today.

In the 60th Edition of Aesthetica we celebrate the emerging photographers that are shaping the future of the image-based practice in The Next Generation. We have partnered with the London College of Communication to survey some of photography’s rising stars.

This is the first US solo exhibition of German photographer Mona Kuhn’s newest large-scale colour series, Acido Dorado. These photographs of nudes aim to show the human body in its most natural state, timeless and free from cultural and generational stereotypes.

Nick Cave’s self proclaimed role as a messenger is amply evident from his exhibition titled Made By Whites For Whites at the Jack Shainman Gallery, New York. On view until 11 October.

RITE OF PASSAGE is New York’s first major exhibition devoted to the early years of the 20th century avant-garde movement, Vienna Actionism. The exhibition is a representative survey of the formative years of Vienna Actionism.

Established in 2002, KIAF has become one of the leading art fairs in Asia. The event was initiated by Galleries Association of Korea and invites visitors to see the best artists and institutions.

Jenny Holzer has used government documents as a source for her work since 2004, and she has used language as her primary medium since the late 1970s. Holzer’s text investigates how ideas are transformed from opinion into fact.