Bara Prasilova’s surreal images teeter on the edge of absurdity and humour, using props to create authenticity and real physical tension.

Felipe OA’s images communicate feelings of isolation and loneliness in the landscape, heavily inspired by literary and cinematic aesthetics.

Sean Jackson’s new series is a collection of images capturing New York during the peak of the Covid-19 pandemic, between 13 March and 10 May.

David O’Meara’s photo composites walk a fine line between forms, evoking a familiar sense of longing
whilst hovering above pedestrian crossings.

Jordan Pope’s images use colours as a way to express emotions, creating dreamy hillsides at the rise and fall of the day.

Now is the time. This modest sentence is the driving force behind the new issue. It’s a phrase that is bold and empowering. It is a call to action.

Screens are everywhere. How often do we notice them? Archie Brooks is a graduate from Leeds Arts University questioning this relationship.

This weekend, Harvey takes over Aesthetica’s Instagram feed, sharing images which uncover cinematic moments in the everyday.

John Baloyi has a distinct aesthetic, producing portraits through a surreal Afro-centric lens. He evokes alternative views of black expression.

Veronique Boyens’ photography series, At a Distance, embraces a new normal as the globe moved into lockdown and a period of isolation.

To coincide with the reopening of a show at Hauser & Wirth Somerset, Don McCullin presents a special online exhibition of platinum prints.

Mariyan Atanasov transforms Sofia’s buildings into Tetris-like constructions – removing, editing and rearranging sections of buildings in pale skylines.

Rachel Louise Brown is Photo Director at Harper’s Bazaar and a photographer who observes the world as a stage, exploring unfamiliar places.

Informality Gallery launches an artist spotlight for Tamara Dean. The online selection provides “an antidote” – drawing energy from nature.

Watch 5 short films from the Aesthetica Shorts Film Festival Archives. These works examine our changing relationship with the landscape.

Renata Dutrée’s images reference the light and symbolism of the Golden Age, exploring concealment through spilt objects or falling petals.

Malick Kebe is a photographer and curator putting Abidjan on the creative map through bold, high-contrast images filled with energy.

Whilst it is impossible to predict what the art world will look like after Covid-19, Latin American artists provide ideas on how to reshape the way we live.

The fair launches its online viewing rooms, with a programme of talks, film screenings and sculpture garden tours. View our Top 5 Recommendations.

Steffen Tuck’s minimalist perspectives “reduce the visual noise” of urban topographies. She offers sections of landscapes, splicing colour and form.