Representing Dichotomies
At the heart of the new group show at Marian Goodman Gallery, Sunset Décor, is a story and an image, or rather two images.
At the heart of the new group show at Marian Goodman Gallery, Sunset Décor, is a story and an image, or rather two images.
To See or Not to Be brings together strategies for disappearance, dissolution and transformation. It first explores physical and mental disappearance.
25-27 August. This collection reveals the current state of equilibrium between reflection and foresight, demonstrating a dialogue with the past.
Hosted by Aesthetica Magazine, the Aesthetica Art Prize is a celebration of excellence in art from across the world. Submit by 31 August.
Design Week Mexico has announced the programme for its ninth edition, promoting the field as a tool for economic, social and environmental development.
Tanya Bonakdar Gallery hosts a new initiative with Olafur Eliasson that addresses global temperatures and topographical responsibilities.
Carolina Mizrahi’s block palette installations evoke questions about gender and sexuality in a new show at Daniel Raphael Gallery, London.
From clothing that can double as a tent, to improved signage in a refugee camp, Beazley’s designs of the year offer practical, real-life solutions.
Monica Bonvicini develops an installation for Berlinische Galerie’s large exhibition hall comprised of gender-specific and power-conscious allusions.
Toby Paterson returns to Edinburgh to create a new work inspired by Patrick Geddes’ surveys of cities as a means to study human activity and society.
Ambienti/Environments centres on Lucio Fontana’s pioneering work in the realm of installation art, along with a selection of his seminal Ambienti spaziali.
It’s the last month to submit to the 2017 edition of the Aesthetica Art Prize. Enter your installation, sculpture, painting, design or video by 31 August.
Chiharu Shiota’s first solo retrospective in the Netherlands offers insight into the human condition and universal experiences.
In this era of accelerating post-truth and digital manipulation, where fact converges with fiction, we must ask ourselves – what is going on?
Barbican, London and The Trampery have launched alt.barbican, an initiative featuring practitioners who challenge the boundaries of art and technology.
Brooklyn Museum examines the cultural and aesthetic priorities of black women during the emergence of second-wave feminism in America.
Barcelona plays host to an exposition of the role of a relatively new process, forensic architecture, which is shown to be increasingly vital in a post-truth world.
If art represents the transitions within culture, what are we learning about systematically labelling bodies?
Jennifer Alexander, Curator of Art at York Art Gallery, sheds light on exhibition practices and curating for the 21st century audience.