Visionary Foundations
Design Week Mexico has announced the programme for its ninth edition, promoting the field as a tool for economic, social and environmental development.
Design Week Mexico has announced the programme for its ninth edition, promoting the field as a tool for economic, social and environmental development.
Tanya Bonakdar Gallery hosts a new initiative with Olafur Eliasson that addresses global temperatures and topographical responsibilities.
Carolina Mizrahi’s block palette installations evoke questions about gender and sexuality in a new show at Daniel Raphael Gallery, London.
From clothing that can double as a tent, to improved signage in a refugee camp, Beazley’s designs of the year offer practical, real-life solutions.
Monica Bonvicini develops an installation for Berlinische Galerie’s large exhibition hall comprised of gender-specific and power-conscious allusions.
Toby Paterson returns to Edinburgh to create a new work inspired by Patrick Geddes’ surveys of cities as a means to study human activity and society.
Ambienti/Environments centres on Lucio Fontana’s pioneering work in the realm of installation art, along with a selection of his seminal Ambienti spaziali.
It’s the last month to submit to the 2017 edition of the Aesthetica Art Prize. Enter your installation, sculpture, painting, design or video by 31 August.
Chiharu Shiota’s first solo retrospective in the Netherlands offers insight into the human condition and universal experiences.
In this era of accelerating post-truth and digital manipulation, where fact converges with fiction, we must ask ourselves – what is going on?
Barbican, London and The Trampery have launched alt.barbican, an initiative featuring practitioners who challenge the boundaries of art and technology.
Brooklyn Museum examines the cultural and aesthetic priorities of black women during the emergence of second-wave feminism in America.
Barcelona plays host to an exposition of the role of a relatively new process, forensic architecture, which is shown to be increasingly vital in a post-truth world.
If art represents the transitions within culture, what are we learning about systematically labelling bodies?
Jennifer Alexander, Curator of Art at York Art Gallery, sheds light on exhibition practices and curating for the 21st century audience.
White Cube’s latest exhibition reveals how there is a vast and raging female presence amongst those associated with the surrealist movement.
The Time is Now is curated to expand on the MoMA’s, New York, current show Making Space: Women Artists & Post-war Abstraction.
Ubiquitous, cheap and light, plywood is the focus of an exhibition opening at the Victoria and Albert Museum, London, this summer.
Rachel Whiteread demonstrates command of the interdependent factors of space and place, with both inventive and monumental structures.
