Degree Shows 2011: Aesthetica’s Round-Up
Our June/July issue has just hit the shelves, which covers the latest opening at the Guggenheim Bilbao, ArtAngel’s new commission at MIF and features Bruce…
Our June/July issue has just hit the shelves, which covers the latest opening at the Guggenheim Bilbao, ArtAngel’s new commission at MIF and features Bruce…
Review by Angela Darby Without a doubt, Hannah Starkey, is a prolific and accomplished artist. Her solo exhibition at the Ormeau Baths Gallery, Belfast presents…
Review by Laura Bushell Jerwood Visual Arts’ support for painters has morphed over the years from an annual cash prize through to the group show…
Recognising the true potential of photography and following on from the success of the inaugural festival last year, The Guernsey Photography Festival presents exhibitions by…
Jason Schembri is a photographer from Sydney, with a strong interest in portrait and fashion photography. In Factory Girl, he critiques society’s obsession with unrealistic expectations of beauty.
Review by Lauren Sperring In our contemporary society, photography is a medium of the masses. It is taken for granted, a tool perpetually present, tying…
Review by Kara Magid, a candidate for the MA in Art History at Richmond, The American International University in London. Peter Marlow’s Point of Interest…
Review by Colin Herd The Greek myth of Narcissus has captivated Western civilization for centuries: an exceptionally beautiful, though proud and precious youth disdains all…
Examining the intersection between aesthetics and journalism goes back to Dostovesky and his writings on the theoretical link between a commitment to the aesthetic ideal…
Review by Jessica Jones-Berney As I follow the row of Philip-Lorca diCorcia Polaroids lined up against the otherwise sparse white walls of Sprüth Magers, it…
Review by Mallory Nanny, a candidate for the MA in Art History at Richmond the American International University in London. Located in the lively art…
Sam Knowles’ first solo exhibition, Fearful Sphere opens tonight in London. Knowles’ (b.1983) practice deals with metaphysical concerns, and the notion that the world…
Review by Kara Magid, a candidate for the MA in Art History at Richmond, The American International University in London. Painters George Shaw and Karla…
Review by Angela Darby For the exhibition Secret Satellites curated by Karen Downey, the Belfast Exposed gallery has been divided into three distinct sections. The…
Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. A visit to Whitechapel Gallery…
Review by Colin Herd The names of difficult-to-get-hold-of and in some cases discontinued-altogether photographic film have something of the poetry of a catalogue of obscure…
Interview by Bethany Rex Nottingham Contemporary is one of the largest and most ambitious contemporary art spaces in the UK. Designed by Caruso St John…
Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. Lisson Gallery’s newest exhibition highlights…
Review by Alistair Quietsch With the recent announcement of the Arts Council England (ACE) cuts and funding decisions, the disbandment of the UK Film Council…
