Momentum 8: 8th Nordic Biennial of Contemporary Art
The 8th Nordic Biennial of Contemporary Art explores the idea of Tunnel Vision and presents innovative art in Moss, just outside of Oslo and in which Edvard Munch lived for four years.
The 8th Nordic Biennial of Contemporary Art explores the idea of Tunnel Vision and presents innovative art in Moss, just outside of Oslo and in which Edvard Munch lived for four years.
The View From Here showcases work by seven emerging photographers from Africa and its diasporas around the world, some of whom are presenting their work in London for the first time.
The most comprehensive exhibition to explore the work of American artist Paul Strand (1890 – 1976) will be on display at Madrid’s Fundación Mapfre. Strand’s career spans six decades, from the 1910s to the 1960s, and the exhibit will take visitors through his life and work.
Christopher Williams’s ascetic aesthetic mode is the subject of a traveling mid-career retrospective, The Production Line of Happiness, on view at Whitechapel Gallery, London, until the end of June.
Marcus Lyon, shortlisted artist in this year’s Aesthetica Art Prize, will be at York St Mary’s on Thursday 28 May to discuss his photographic practice, process and involvement in the art world.
Timothy Taylor Gallery, London, hosts a major retrospective of the work of Diane Arbus as part of the inaugural Photo London image fair, with a particular focus on Arbus’s portraits of couples.
Kaveh Golestan (1950-2003) was killed by a landmine near Klfi, Iraqi Kurdistan, at the age of 52 while he was covering the war for the BBC. Such an end says a lot about the photographer who, throughout his life, pioneered street photography and photojournalism, paving the way for an entire generation of Iranian artists.
We speak to British artist Julie Brook about the impact of being shortlisted for the Daiwa Foundation Art Prize and her interests in working with a selection of uninhabited and remote landscapes.
Artists from across the globe are represented at the 46th edition of the international art show Art Basel, with 283 leading galleries presenting a selection from 33 countries which ranges from key figures of 20th century modernism to new and emerging artists at the forefront of contemporary practice.
The Bluecoat presents a series of striking black and white images by Tricia Porter which document the everyday lives of those living in inner city Liverpool in the early 1970s. On display until 5 July.
In 2015 the Taylor Wessing Photographic Portrait Prize presents a new section, In Focus, exhibiting previously unseen and recent prints by the award-winning South African photographer Pieter Hugo.
The 2015 shortlist has been announced for the ninth annual Catlin Art Prize, which aims to promote the work of emerging artists in their first year after graduation from the UK’s art schools.
Tom Lovelace’s interdisciplinary practice challenges the traditional definitions of art forms, breaking down the assumed boundaries between photography, sculpture, performance, and more.
Tamas Dezso’s Notes for an Epilogue and Here, Anywhere are on-going bodies of work depicting a time of transition in rural Romania and Hungary following the fall of Communism in the late 1980s.
The third Art15 will give an overview of current contemporary practice as well as Modern artworks from established and emerging galleries across Europe, the Middle East, Asia, Africa and America.
Throughout her career, Portuguese artist Helena Almeida has questioned the limits of traditional media by using her body as the subject of her work.
Transcendence is the first US solo show to come from British, Paris-based photographer and artist Anouska Beckwith, created in collaboration with young New York curator Andi Potamkin.
A short film about the Aesthetica Art Prize Exhibition 2015 is now available to watch, presenting insights into the work of the shortlisted artists through interviews, clips from the preview night and close ups of the stunning pieces.
The first large-scale survey of Land Art took place at MOCA, Los Angeles, in 2012. This exhibition looked at the historical origins of artists’ interactions with landscape. Featured in issue 48.