The Time is Now is curated to expand on the MoMA’s, New York, current show Making Space: Women Artists & Post-war Abstraction.

In The Whiteness of the Whale, British photographer Paul Graham examines the intersections between race and social status in America.

Chrystal Lebas’ Regarding Nature explores the dynamic between human beings and the organic landscape as two interacting spheres of life.

The exhibition considers the subtle differences between regions, highlighting how and why they remain a source of inspiration.

Thomas Ruff’s photographs question and redefine the artistic potential of the craft as a platform for social commentary.

Ubiquitous, cheap and light, plywood is the focus of an exhibition opening at the Victoria and Albert Museum, London, this summer.

The 2017 edition of the Accessible Art Fair (ACAF) offers a platform for emerging artists and designers to showcase and directly sell their work to audiences.

Dennis Hopper re-invented the iconography of the lens to document social upheaval in the Western world and the emerging contemporary condition.

The ING Unseen Talent Programme provides young European photographers with an opportunity for international exposure across new platforms.

Sylvain Biard’s newest series, entitled SHiMA, was looks at the gap between the photographer and an unreachable culture.

Designed World is the first museum show of Peter Keetman for 20 years, whose industralised photographic works looked at the poetic rebuilding of Germany.

Working on History at Museum für Fotografie, Berlin, looks into contemporary Chinese photography to understand cultural ecosystems.

Lalla Essaydi’s Still in Progress at Leila Heller Gallery, Dubai, draws audiences into a modern-day harem that utilises photography to rewrite narratives.

Finnish photographer Janne Lehtinen captures the individual and human aspiration of continuously wanting to push one’s boundaries.

Where are we marching? The future of protest is a day of debate running alongside IWM’s radical exhibition, Fighting for Peace.

Michael Wolf’s weighted depictions of globalisation and growth come into question in Life in Cities, another exhibition at the 2017 Rencontres d’Arles.

Neil Libbert has been working as a street photographer for nearly 60 years; Michael Hoppen Gallery offers an opportunity to see the full range of accumulated works. 

Karine Laval: Reflections looks into the hazy, lucid memories of summer, re-appropriating analogue compositions.

Nelli Palomäki’s photography seeks to find new ways to interpret highly classical monochrome portraiture. Shared explores the complex theme of siblinghood,

Since last year’s presidential election, Richard Misrach (b. 1949) has been travelling around California, Arizona and Nevada, documenting occasions when people have done just that.