Retracing Portuguese Colonialism
Délio Jasse’s previously unseen body of work comes together in a solo exhibition, The Lost Chapter: Nampula, 1963 at London’s Tiwani Contemporary.
Délio Jasse’s previously unseen body of work comes together in a solo exhibition, The Lost Chapter: Nampula, 1963 at London’s Tiwani Contemporary.
Jonathan Anderson considers ways in which the human form has been reconceived by artists and designers from at the Hepworth Wakefield, this Autumn.
Taking domestic settings as a focus, Gregory Crewdson is a master of conceptual narratives played out within the environs of the everyday.
Romina Ressia’s work is an analysis of contemporary society. Classical influences can be seen across her oeuvre as a method of decoding modernity.
Cristina Coral plays with uncanny compositions, featuring domesticated figures that become lost in neutralised corridors and unnerving bedrooms.
Finding intrigue within the strange intersections of the metropolis, Joust uses the lens as a witness to the shifting sense of culture from day to night.
Giorgio Stefanoni’s bold and colourful series Unknown Geometries provides intriguing angles on metropolitan architecture, focusing on urban details.
Andrey-Lili’s lavish shoots are a consideration of environment and theme: rich colours and textures provide spatial variance against the domestic vanitas.
Lauren Marsolier’s style that alleviates the world of specific details. Perceptual compositions alienate viewers through bright and equivocal landscapes.
Fred Herzog | Modern Color surveys the life and work of the the Canadian artist, one of the most known figures for his unusual use of colour in the 1950s and 1960s.
New York artist and filmmaker, Lucy Raven (b.1977), is at Serpentine Gallery, London, exploring what happens behind the camera and in-between frames.
Pace London has announced American Classics, an exhibition of key works from photographers who emerged in post-war America.
Foam, Amsterdam, presents Melanie Banjo’s first major solo exhibition until 7 December, centred around the absurdities within the human experience.
The work of American photographer Lee Friedlander, is at Galerie Thomas Zander, Cologne, featuring pieces taken over the course of the past five decades.
Why do we need art? The Museum of Old and New Art, Tasmania, puts this question into conversation in their thought-provoking show On the Origin of Art.
The artist comes to Galerie Thomas Zander, Cologne. A selection of new dye transfer prints are juxtaposed with recent large-scale colour images of interiors.
Club 57: Film, Performance, and Art in the East Village, 1978-1983 explores the scene-changing and interdisciplinary life of downtown New York.
Aspen-born photographer Chloe Sells has continued to progress, questioning the finite nature of our planet, our existence and the lines in between.
Robin Rice Gallery, New York, presents Echo and Convergence, an exhibition by Benjamin Heller. The show invites visitors into an expressive dimension.