Subjective Worlds
Daniel Shea is the winner of the 12th edition of The Foam Paul Huf Award. The work reflects on the urban landscape of late capitalism.
Daniel Shea is the winner of the 12th edition of The Foam Paul Huf Award. The work reflects on the urban landscape of late capitalism.
For A Slight Shift at the Sous Les Etoiles Gallery, Paris, three artists employ manmade mediums to provide poetic interpretations of the landscape.
Bas Princen challenges how audiences perceive buildings in relation to their surroundings through a new exhibition at Vitra Design Museum.
Seydou Keïta was a portrait photographer who found fame late in life. His archive, brought to light in the early 1990s, facilitated international recognition.
Conjuring a bygone spirit of Americana, Phil Donohue’s works reflect a sense of stippling anonymity and recession on Route 66.
In an era of fake news, how can the individual decipher the true course of events? Exhibitions opening 10-11 March focus on narrative forms.
Italo Calvino’s Le città invisibili is the inspiration behind Invisible Cities: Architecture of the Line at Waddington Custot, London.
Marking the continued journey to establish gender equality, global and cultural institutions celebrate International Women’s Day.
The work of Irish photographer Julian D’Arcy is endowed with mesmerising formal qualities; each image transforms ordinary sites in golden planes.
National Gallery of Art, Washington, showcases the works of Sally Mann as she explores communicative landscapes and sombre subject matters.
An exhibition at Museum der Moderne Salzburg offers a photographic survey of life in Austria. Investigating the country’s creative output in the late twentieth century…
Work by Angel Albarrán and Anna Cabrera is heavily influenced by Japanese culture and printing processes.
Sean Hemmerle is known for capturing abandoned architectural spaces in war-affected areas. A series of portraits offers a new angle.
Investigating different forms of transformation, this month’s upcoming releases look at the various ways in which we perceive and conceptualise space.
SAGE Paris brings together works by Daido Moriyama, Weegee and Eugène Atget, capturing the figures that define the urban terrain.
In 1947 – long before the dawn of the camera phone – Polaroid offered consumers an accessible method of visual documentation.
Thomas Demand’s unique approach to photography involves the construction and documentation of uncanny environments.
By disrupting time-honoured notions of chronology, a new exhibition provides a fresh approach to visual communication.
Large scale photographs from multidisciplinary artist Taryn Simon are interested in power structures and unearthing systems of control.
