James Casebere devises table-top models, creating thought-provoking and visually deceptive images that have accrued international acclaim.

The August / September edition, Global Initiatives, looks at sustainable ways of living across range of disciplines, documenting the human story.

Vogue Like A Painting at GL Strand, Copenhagen, establishes visual and thematic links between fashion photography and fine art.

Alfred Seiland’s body of work offers a bright synthesis of colour and light, combining  analog techniques with contemporary aesthetics.

An exhibition at Ibasho Gallery celebrates the work of contemporary Japanese photographers, reflecting on the fast pace of everyday life.

For over ten years, Nuremberg-based photographer Christian Höhn has captured the world’s largest cities and transport networks.

Capturing the everyday landscape, Vishal Marapon’s images connect with changing cities and the material effects of gentrification and development.

Iconic work by Stephen Shore is highlighted as part of Edwynn Houk Gallery’s Summer Show, which delves into a diverse collection.

Aesthetica selects five must-see photography exhibitions open 28-29 July. Each offers conceptual responses to contemporary life.

Polaroid Originals’ summer campaign offers bold colours and clean lines, evoking a sense of freedom and creativity.

Delving into the archives, Changes at Staley-Wise Gallery, New York, charts the development of 20th century photography.

Brilliant City at David Zwirner, Hong Kong investigates the density of the metropolis through manipulated compositions.

Exhibitions at The Hepworth, Wakefield, and the Getty Center, Los Angeles, showcase work that occupies the boundary between fashion and fine art.

A new show at Fraenkel Gallery, San Francisco, examines the poetic nature of roads through photographs by Robert Adams.

Nothing Stable Under Heaven features works by 25 artists drawn from SFMOMA’s contemporary collection focusing on social and political resistance.

The 20 photographers featured in Made in Berlin at CAMERAWORK draw a striking portrait of the cultural centre through a variety of styles.

Gail Albert Halaban’s large-scale, stylised works possess a dark and cinematic sense of voyeurism, addressing themes of 21st century disconnection.

Anthropocene at Art Gallery of Ontario brings together science and art, unearthing the scale of industrial activity on the planet.

An exhibition at Museum of Fine Arts, Petersburgh, examines how photographers capture and rewrite notions of identity.

Harry Gruyaert offers a striking synthesis of colour, form and light, bringing together fragments of the everyday.