Art Basel in Asia, Hong Kong
Following its breakthrough 2015 edition, Art Basel’s upcoming event in Hong Kong will provide an in-depth look at the region’s diversity, through both historical material and recent works.
Following its breakthrough 2015 edition, Art Basel’s upcoming event in Hong Kong will provide an in-depth look at the region’s diversity, through both historical material and recent works.
Within India there is very little or no government support for the arts, but within the country there are a number of highly passionate individuals who are taking it upon themselves to fill the country’s arts funding gap. Seeing it as a vital part of her nation’s development, after two decades working with emerging contemporary Indian artists, curators and collectors, in 2010, Aparajita Jain founded the Saat Saath Arts Foundation (SSAF).
The 2016 edition of Art Paris Art Fair brings together 143 galleries from 22 countries. We speak to Fair Director, Guillaume Piens, about this year’s line-up of key events and the fair’s virtual tour.
Daniel Mullen is a longlisted artist in the Aesthetica Art Prize. Mullen has described the backbone of his artistic influence as a mixture of Dutch architecture and formalistic, abstract painting.
Known for her large-scale installations and sculptures which challenge the formal languages of Minimalism and Surrealism in order to expose a world characterised by conflicts and contradictions, the work of Mona Hatoum will be presented by Tate Modern this year.
The best pieces in Playroom are those that manage to poke fun at the idea of having a function to them, that joyfully play at having a raison d’être. They visibly pretend to be serious, which in turn becomes satirical of the forces that ask them to be serious in the first place, yet remain full of fun.
“Can machines think? Are there imaginable digital computers which would do well in the imitation game?” asked Alan Turing in his landmark paper, Computing Machinery and Intelligence. Turing’s study was published in 1950, but the question whether machines can successfully imitate human behaviour still resonates today. Eight artists delve into our fascination with artificial intelligence and man/machine relationships in The Imitation Game at the Manchester Art Gallery this year.
Every so often, something happens on the gallery scene that pushes a fresh perspective into the wider cultural viewfinder. When Friedman Benda recently launched a splashy double show in New York, we all left with the funny feeling that we’d been transported to somewhere new, somewhere that might be sacred, and somewhere that is softly transforming the frontier where art and design co-mingle.
Known for his multi-didactic works that go from staging group therapies to theatre plays, Pedro Reyes is constantly renovating his oeuvre and exploring new ways of involving the audience.
In the summer of 1970, a young Gabriele Basilico – “before he was Basilico”, set out from his parent’s house in Caorle on the Venetian Riviera for Kabul. Little did he know he would become a genius for freezing moments of haunting beauty in the unlikeliest places.
For his first US museum survey outside of California for 40 years, this new exhibition displays Robert Irwin’s work from 1958-1970, a time in which the artist developed dramatically.
The Women in Photography panel at The Photography Show 2016 will bring together Max Houghton, Marcia Michel, Vicki Churchill and Juno Calypso in a discussion about the industry.
Karen Thomas (b.1963) is acclaimed world-wide for her pop-culture figures and loosely dynamic painting style. We speak with the painter about her distinguishable style and recent projects.
Photographer Maroesjka Lavigne’s latest exhibition Land of Nothingness is currently on view at Robert Mann Gallery, New York. Lavigne’s second show with the gallery invites viewers to step into the unforgiving landscape of Namibia.
Concerned with the disintegration of humanity, Goshka Macuga (b. 1967) poses fundamental philosophical questions in his contemporary artistic practice, including a striking address to the inevitable aspects of life. Fondazione Prada presents the Polish artist’s solo exhibition To the Son of Man Who Ate the Scroll, until 19 June.
Coinciding with Manchester’s Year of the Monkey celebrations, the CFCCA launched its 30th anniversary programme in February. We speak to curator Ying Tan about the centre’s commitment to representing Chinese arts in the UK.
Revealing the extent and impact of William Henry Fox Talbot’s pioneering experiments with photography, London’s Science Museum presents a major new exhibition on the rise of a medium.
KARST’s white gallery warehouse is preoccupied by surfaces in its latest seven person show. The Earth is Our Radio draws on all manner of barriers, boards and blockades, with tell-tale markings of run down urban environments and revalued economics.
BALTIC presents the first solo UK exhibition by Omer Fast, best known for his video works that question the conventions of storytelling, media reportage and historical representation.
