The Hepworth Wakefield showcases Martin Parr’s most recent work in their latest exhibition The Rhubarb Triangle and Other Stories: the largest Martin Parr exhibition in the UK since 2002.
Lyndesy Ingram gallery, London, hosts a new show featuring polaroids collected over two decades from behind the scenes of Miles Aldridge’s fashion shoots.
Huib Fens recreates the houses and workspaces of the people who have inspired him, saying the process of virtually rebuilding these rooms allows him to become a part of the space, to stay, think and work alongside his heroes.
Vikram Kushwah’s photographic series Memoirs of Lost Time discusses memory, and the tension between how memory reconstructs events and how they really happened.
Passion surveys the most significant and intriguing work of Scottish-Ghanian artist, Maud Sulter (1960-2008), at Impressions Gallery, Bradford.
SCOPE Art Show celebrates its 10th anniversary in Basel at its new location, Clarahuus. SCOPE’s well-appointed venue offers guests a view of the contemporary art world, and in 2016, SCOPE welcomes 85 international exhibitors.
Last week’s Future Now: The Aesthetica Art Prize Symposium saw David Drake, Director, Ffotogallery and Diffusion meet with a panel of experts to discuss the photography in the digital age. We speak to Drake about shifts in the medium.
Paesaggio is the fourth Massimo Bartolini (1962, Cecina, Tuscany. He lives and works in Cecina) solo show at Massimo De Carlo, in Milan.
The Auckland Art Fair 2016 edition heralds a shift in focus to contemporary art of the wider Pacific region and brings together 40 galleries from New Zealand, Australia, the Pacific, and South America.
Today is the final day of the inaugural Future Now Symposium. Sessions include The Future of Art and Culture, Permanence of Print II and Public and Private Galleries.
Making reference to Foundling Museum’s heritage, Cornelia Parker invites over 50 artists, writers and musicians to respond to the thematic concept of “found”.
Future Now Symposium opens today at York St John University and continues tomorrow, with a two-day programme of talks, panel discussions and portfolio reviews.
Applications close for the RSA Open Exhibition on 1 June, 5PM, with a long-standing history of celebrating the best of contemporary practice.
Amidst the season of Degree Shows, students across the UK are finalising and displaying their works as part of a nationwide collective of talent.
The first ever SPLICE festival – the UK’s only dedicated audiovisual performing arts festival – will open this summer in London, 3 – 5 June.
Two days to go until Future Now: The Aesthetica Art Prize Symposium begins. The inaugural event invites audiences to consider contemporary practices in the present day. Here’s our final line-up of sessions for the 2016 programme.
Now in its second year, Photo London is an ambitious programme that provides a nexus between all the different elements of photography in the UK today.
Julia Michalska, Deputy Web Editor at The Art Newspaper, joins Future Now as a panelist in Session 10: The Permanence of Print Part II for a discussion on print in today’s digital world.
Future Now: The Aesthetica Art Prize Symposium is an opportunity for artists and those working in the creative sector to network, discuss best practice and build new collaborations. On Day Two of the event, sessions include the Future of Art and Culture, Talent Development, and Funding and Commissions.
