The Griffin Art Prize: Supporting Graduates
The Griffin Art Prize is designed “to have a meaningful impact” on the career of one recent art school graduate, boosting the ambitions of an emerging painter.
The Griffin Art Prize is designed “to have a meaningful impact” on the career of one recent art school graduate, boosting the ambitions of an emerging painter.
Art Kaohsiung launches its fourth edition. Attracting innovative practitioners, it converges the boundaries of South-eastern and North-eastern Asian art.
Alex Hartley questions the conventional qualities of the present and the expectations that construct contemporary life at Victoria Miro gallery, London.
Délio Jasse’s previously unseen body of work comes together in a solo exhibition, The Lost Chapter: Nampula, 1963 at London’s Tiwani Contemporary.
Published alongside the exhibition at YSP, and in association with Galerie Thaddeus Ropac, a new catalogue contextualises the figure.
Fred Herzog | Modern Color surveys the life and work of the the Canadian artist, one of the most known figures for his unusual use of colour in the 1950s and 1960s.
New York artist and filmmaker, Lucy Raven (b.1977), is at Serpentine Gallery, London, exploring what happens behind the camera and in-between frames.
This year’s second edition of world-leading museum conference, Communicating the Museum proved one of the most interdisciplinary yet.
Foam, Amsterdam, presents Melanie Banjo’s first major solo exhibition until 7 December, centred around the absurdities within the human experience.
Electrolux at the Modern Institute, Glasgow, marks Lambie’s sixth solo exhibition with a new collection that recontextualises objects.
YSP hosts a collaborative exhibition by artist and academic, Nishat Awan. Migrant Narratives of Citizenship traces the route of the refugee crisis.
The Lynn Painter-Stainers Prize was created to encourage representational painting. We speak to Emma Copley, who was selected for the 2016 exhibition.
Why do we need art? The Museum of Old and New Art, Tasmania, puts this question into conversation in their thought-provoking show On the Origin of Art.
What do, and will, we remember of art? What of art in public places? What are biennials for – a small, inclusive elite, or the people of the cities that house them?
Aspen-born photographer Chloe Sells has continued to progress, questioning the finite nature of our planet, our existence and the lines in between.
Photo50 is London Art Fair’s annual exhibition of contemporary photography. We speak to Christiane Monarchi about the 2017 installment, Gravitas.
Huis Marseille, Amsterdam, present After Baldus: Travels in a Wounded Landscape, a photographic project from Theo Baart and Cary Markerink.
Atlas Gallery, London, presents a new exhibition exploring photographers who responded to Surrealism over the past five decades.
Conceptual, social, political, ecological and less visual than previous editions, the 32nd São Paulo Biennial, Living Uncertainty, was a collective process.
