Co-commissioned by National Museum Cardiff and Artes Mundi, Ragnar Kjartansson’s The Sky in a Room takes place over a five-week period.

Huis Marseille, Amsterdam, celebrates the Düsseldorfer Photoschule; photographers who studied under Bernd and Hilla Becher.

Norwegian photographer Anja Niemi investigates notions of selfhood through self-conscious imagery, creating a playful yet powerful critique.

A new, timely exhibition at ICP, New York,  explores a dark period of American history by examining themes of imprisonment .

Systems define the human experience. Exhibitions running 27-28 January inspect a range of contemporary structures.

Jeu de Paume sheds light on Raoul Hausmann’s photographic oeuvre, unearthing a collection of overlooked avant-garde work.

The Photographers’ Gallery, London, provides an intimate glimpse into a pocketed history of cross-dressing, and those that lived through it.

Serge Alain Nitegeka’s practice engages with how manipulations of colour and volume influence the experience and understanding of space.

Edwynn Houk Gallery, New York, showcases a point of innovative transformation for one of America’s greatest colour photographers: Stephen Shore.

The relationships between individuals and their bodies is complex. An exhibition examines this through the lens of 13 female photographers.

Perrotin Tokyo offer a new exhibition of recent paintings by the American artist Hernan Bas; Insects from Abroad delves into a new, visual vocabulary.

Objects on display at Collect 2018 range from small innovative pieces to monumental installations, engaging with contemporary issues.

A Universal History of Infamy, an ongoing multisite show, presents an examination of the relationship between Latin America and the wider US.

The seventh edition of Duesseldorf Photo Weekend celebrates the past, present and future of the medium.

Moldova is the focus of a new exhibition at Fotografiska, Stockholm, which presents the work of award-winning photo-journalist Åsa Sjöström.

Natalie Christensen’s 25-year career as a psychotherapist informs her practice as an artist; each image reflects deeper conceptual thoughts.

Büro Ole Scheeren’s Guardian Art Centre, Beijing, is an hybrid institution that combines culture with public functions.

Celebrating the quotidian, the works in an exhibition at EMMA possess an uncanny, otherworldly quality.

Terminus, a recent series by Mark Steinmetz, examines the pubic and private moments that occur within and around aerodromes.

In 1960, a devastating earthquake destroyed much of the Moroccan city of Agadir. Yto Barrada addresses the process of reinvention .