Design Innovation
MoMA’s Latin America in Construction explores how revolutionary approaches allowed the continent to create a breed of Modernism entirely of its own.
MoMA’s Latin America in Construction explores how revolutionary approaches allowed the continent to create a breed of Modernism entirely of its own.
Norwegian photographer Anja Niemi’s latest series, Darlene & Me (2014), is a complex and striking investigation into the perception of the self.
Photographs of Black British Experience 1950s-1990s features more than 50 photographs recently acquired from the Black Cultural Archives.
For the second talk in the series that runs alongside the Aesthetica Art Prize Exhibition, we hear from Dr Sam Lackey, Curator at The Hepworth Wakefield who will discuss current approaches to art.
In Seven Billion Light Years artist Subodh Gupta’s middle class everyman is replaced by references to the underprivileged in Indian society. On display at Hauser & Wirth, London, until 25 April.
We Speak to Dr Duncan Forbes about photographic culture in the digital age and Fotomuseum Winterthur’s new exhibition format, SITUATIONS.
This year Art Paris Art Fair demonstrated how inventive and abundant the art scene in Asia still is with Galerie Géraldine Banier’s presentation of work by Korean Jung Min Choi and Francesca Gagliardi.
The National Pavilion for the Republic of Armenia opens at the Venice Biennale in May. Armenia will focus on the curatorial concept of Armenity and reflect on the centenary of the Armenian Genocide.
British-born Cig Harvey, now a resident of Maine and a full-time artist, uses photography to reveal the complexities underlying everyday life and our relationships with family and friends.
Vera Drebusch has been shortlisted in this year’s Aesthetica Art Prize. Her performance pieces Preservation and Chocolates can be seen in the Art Prize exhibition, on display at York St Mary’s.
Dark shadows, contrasting colours, smooth and ruptured textures fill the works created by artist Andrew Browne (b. 1960) in his latest series Glimpse.
In 2011 Haunch of Venison showcased a collection of work by director and photographer, Wim Wenders. Featured in Aesthetica Issue 40, the show highlighted the artist’s distinctive style and imagery.
HOME is an international centre for contemporary visual arts, theatre and film, whose opening programme features international collaborations.
The internet exists in the physical world spectrally, at once oppressively — or conveniently – pervasive and seemingly intangible, invisible and indefinite.
Presented by Ikon and Nuova Icona, the Oratorio di San Ludovico will be home to a new video and performance project by Nástio Mosquito. The artist creates exciting and irreverent installations.
Will Shannon describes himself as: “designer, maker, artist, architect, prototyper, workplace designer, maybe”. His exhibition at mac Birmingham seeks to unite the areas of art, craft and design.
Maze is a new performance presented by Jasmin Vardimon Company and Turner Contemporary. We speak to Vardimon about her approach to the work and her interest in the individual observer.
On 9 April, winner of the Aesthetica Art Prize 2015, John Keane, will be appearing at York St Mary’s to discuss the key inspirations behind his large-scale paintings of arrested victims from the great Stalinist terror of the 1930s.
Taking its title from the Gaelic word for craving and desire, Miann is Fleur Darkin’s first full-length work as artistic director at Scottish Dance Theatre. The piece will appear at Southbank Centre.
