Broadening Access to the Visual Arts: Q&A with Nathan Engelbrecht, Director of EB&Flow Gallery, London.

Interview by Bethany Rex EB&Flow opened this spring in Shoreditch with an aim to build long term relationships with artists from a formative stage in…

Degree Shows 2011: Aesthetica’s Round-Up

Our June/July issue has just hit the shelves, which covers the latest opening at the Guggenheim Bilbao, ArtAngel’s new commission at MIF and features Bruce…

The Absence of External Frames: Florian Meisenberg, Kate MacGarry, London

Review by Mallory Nanny, a candidate for the MA in Art History at Richmond the American International University in London. Currently on view at Kate…

Celebrating Latin American Art: PINTA Art Fair

Presenting the very best in modern and contemporary Latin American art, PINTA follows last week’s record sale of Latin American art at Sotheby’s, New York.

Mark Leckey’s Fusion of Technology and Theatricality: SEE, WE ASSEMBLE, Serpentine Gallery, London.

Review by Mallory Nanny, a candidate for the MA in Art History at Richmond the American International University in London Turner Prize winner of 2008…

Clare Mitten, Cara Nahaul and Corinna Till: Jerwood Painting Fellowships, Jerwood Visual Arts, London.

Review by Laura Bushell Jerwood Visual Arts’ support for painters has morphed over the years from an annual cash prize through to the group show…

Re-examined Territories: the British Council present Mike Nelson, Venice Biennale

Venice is the biggest date in the art world diary and Mike Nelson’s installation, conceived and created in the British Pavilion is no different. Nelson…

The Viewer as Subject: Magical Consciousness, Arnolfini, Bristol.

Review by Regina Papachlimitzou Magical Consciousness examines and negotiates philosopher Vilém Flusser’s postulation that the act of looking carries more intrinsic potential than the object…

Richard Long/Giuseppe Penone, Haunch of Venison, London

Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. The tree of life, a…

A Knowledge of Things Familiar: David Beattie, Temple Bar Gallery + Studios, Dublin.

James Merrigan is an artist and art writer based in Dublin. David Beattie’s work has an element of alchemy about it, where banal objects or…

Cultural Interfaces

Exploring the boundaries between image and meaning, the 14th PHotoEspaña festival takes place in Madrid, Lisbon, Cuenca, and Alcalá de Henares.

Commissioning Art History

Celebrating 20 years of unparalleled new and innovative work, Artangel shows new work at 2011’s Manchester International Festival and a retrospective too.

Transgressing Conventional Boundaries

Kunsthalle Mannheim celebrates Bruce Nauman’s 70th birthday with a retrospective examining the artist’s fascinating body of work.

Technological Expressionism

A new exhibition Pro Tools by digital artist Cory Arcangel at the Whitney explores the relationship between cultural production and digital technology.

The Battle of Opposites

30 artists are presented in the first large-scale exhibition of works from the collection of Dimitris Daskalopoulos.

Factory Girl

Jason Schembri is a photographer from Sydney, with a strong interest in portrait and fashion photography. In Factory Girl, he critiques society’s obsession with unrealistic expectations of beauty.

Thoughtless Gestures + Obsessive Beauty: Scotland + Venice present Karla Black, Venice Biennale

Taking place across a six-month period, from June to November, this year’s Biennale di Venezia seeks to understand the significance of art in a globalised…

Dipping a toe into Narcissus’s pool: Narcissus Reflected, Fruitmarket Gallery, Edinburgh

Review by Colin Herd The Greek myth of Narcissus has captivated Western civilization for centuries: an exceptionally beautiful, though proud and precious youth disdains all…

Humanity’s Unspoken Rhetoric: rAndom International, Wellcome Collection, London.

Review by Sarah Richter, a candidate for the MA in Art History at Richmond the American International University in London. Decorating Euston Road in the…

A Pictorial Stream of Consciousness: Philip-Lorca diCorcia, Sprüth Magers, London.

Review by Jessica Jones-Berney As I follow the row of Philip-Lorca diCorcia Polaroids lined up against the otherwise sparse white walls of Sprüth Magers, it…