Shooting his images from a distance, Leonard Freed allows his subjects to remain natural and undisturbed by his camera. His observations of people reflect Freed’s deeply ingrained interest in life.
Ikon’s most comprehensive exhibition to date of paintings by British artist Hurvin Anderson (b.1965), evokes sensations of being caught between one place and another, drawn from personal experience.
Examining the ways in which women have been represented in relation to war and industry in modern and contemporary art, Women, War, and Industry opens at The San Diego Museum of Art.
Galerie Emmanuel Perrotin will celebrate its 25th anniversary this autumn. Happy Birthday showcases pieces throughout Emmanuel Perrotin’s career, most of which are now in private collections.
Australia, hosted by the Royal Academy of Arts and Patroned by the Prince of Wales, flaunts the region’s lively works of art, including paintings, photographs, watercolours and multimedia.
VIENNAFAIR The New Contemporary returns for its ninth edition. This year there will be new participants, including three from Berlin and galleries from Moscow, London and the rest of Europe.
Ancient tradition and contemporary innovation merge as one in the singular work of Hiromi Moneyhun. A native of Kyoto, Moneyhun is a self-taught artist who creates intricate paper cut pieces.
Known for images that balance between documentary and staged photography, Philip-Lorca diCorcia’s East of Eden series opens at David Zwirner, London.
Finding life and energy in any and every location, Sergio Larrain’s protagonists appear unperturbed by the camera and continue with their everyday interactions.
Working everywhere from the Kenya to the Netherlands, Chaskielberg’s roots in photojournalism allow him to narrate specific environments and the individuals living within them.
Returning to the plastic creatures and vibrant colours of the amusement park during twilight, Eleonora Ronconi discovers a haunting environment.
A new show at the Whitney surveys performance art, casting an eye over the theatrical happenings at a scarcely charted moment in art history.
The Walker Art Center’s latest exhibition, 9 Artists, strips the concept of group show down to its core, dispensing with themes and showcasing artistic practice.
What strikes you first about the works of Jack Beswick are the strong slabs of colour that dominate the space. Aesthetica speaks to the artist to find out more about his work and future plans.
Forced Entertainment is set to premiere new piece Tomorrow’s Parties this week at the opening of Art Sheffield, following its success of The Thrill of It All in 2010 and The Coming Storm in 2012.
Jeremy Lovering’s dark psychological thriller explores the human capacity for violence, our primal phobia of the dark, and the notion of truth versus fiction.
Evocative and passionate are two words that perfectly encapsulate Zsófia Boros’ ECM debut, En Otra Parte.
As soon as the opening notes of Agnes Obel’s second album Aventine fill the air, it becomes impossible to stop listening.
The Lyric Hammersmith’s new season of Secret Theatre challenges preconceived notions of production and attempts to offer up a bold new alternative.
