Opening on 20 March, Thirteen marks the 450th anniversary of Shakespeare’s birth and is the first time the pieces are on display outside of the Royal Shakespeare Theatre in Stratford-Upon-Avon.

Samuel Harriman’s work consists primarily of light, however, by using painterly processes, he combines the mediums of installation and painting to intonate the point that the use of light is a form of painting.

Jeremy Hutchison’s i- is invested in the psychology behind consumer culture. Playing with audience expectations, i- features hand models unexpectedly holding lumps of distorted clay.

Bottega Veneta has joined forces with Pieter Hugo to shoot the Spring /Summer campaign. Every season the new collection is conceived and captured by an exceptional photographer.

The Worst of Scottee is a confessional and it’s set out as such: Scottee sits inside a photobooth, profile to the audience and we observe as he tells his story to this modern confession booth.

Paul Gaffney’s We Make the Path by Walking and Michal Iwanowski’s Clear of People will engage with the idea of journeys as both artists document their personal expeditions across the land.

The Jameel Prize is a delightful antidote to any notions of poor taste and bad judgement attempting to taint the validity of Islamic culture, visual or otherwise. Running until 21 April at the V&A.

In this exclusively online exhibition, the second of its kind for Hamiltons, waterscapes and nudes come together to blend two bodies of Tomio Seike’s work in a selection of black and white images.

Infinite City is a group exhibition featuring works from two private collections: the Zabludowicz Collection (located in London, New York, and Sarvisalo, Finland) and Kadist Art Foundation.

Franz Ackermann’s three-dimensional panels comprising of cartographic watercolour drawings and black and white photographs reflect the bare bones of urbanisation as well as globalisation.

Curated by the contemporary arts and education charity Project Space Leeds (PSL), A New Reality Part 1 is The Tetley’s maiden programme, promising a series of cross-disciplinary exhibitions.

Glenn Ligon’s third exhibition at the Thomas Dane Gallery sees inspiration from Steve Reich’s Come Out (1966) manifesting through an ensemble of three monumental screen-printed paintings.

Saudi Arabian artist Faisal Samra’s first solo exhibition in the UK opens at Ayyam Gallery, London on 13 February. The show is a response to Samra’s interest in the process of creation.

Currently on display at Ikon Gallery is David Tremlett’s 3 Drawing Rooms. The exhibition deploys a combination of pastel pigments in paint and engine grease, applied directly to the walls.

A tender, ethereal spirit of the artist is revealed through the works of Hans Josephsohn, currently on display at Hauser & Wirth. A kinetic energy excites the spaces between the sculptures.

Running until 23 March, Gracjana Rejmer-Canovas’ Colour Into Liquid Air, encapsulates the artist’s energetic practice, who is a recent graduate of the Slade School of Fine Art.

Tate Britain’s transhistorical Ruin Lust will reveal the importance of ruins in art from the 17th century to the present day, detailing the evolution of the subject over 400 years. From 4 March to 18 May.

Rankin, Johny Dar and model Tuuli Shipster, have teamed up to produce the stunning calendar. Inspired by the artist’s series, DAR the BOOK, Dar hand-painted his designs directly onto Tuuli’s body.

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Carbon 14: Climate is Culture, the centrepiece of a four-month festival of the same name at the Royal Ontario Musuem, says much about what we’re all talking about these days – the weather.