A solo show of works by Trine Søndergaard at Bruce Silverstein Gallery, New York, offers dialogues between past and present.

Daniel Alexander’s series, examines the Commonwealth War Graves Commission, considering its enduring legacy.

Hand-cut line by line, Jukhee Kwon’s Babel Library is created from disposed editions of Encyclopedia Britannica. Transforming whole objects into another through deconstruction, brings them back to life…

The vastness of the Scandinavian landscape is highlighted in Norway Contemporary! currently on show at Museum Kunst der Westküste.

Work by Guido Guidi examines the geometric structure of the built environment through an abstracted visions of colour and form.

Barbican Centre runs concurrent exhibitions of work by documentary photographer Dorothea Lange and British artist Vanessa Winship.

Large format photographers from the 1960s and 1970s granted Matt Porch his main inspiration – the resulting works both glamourise and simplify streets.

Known for a bold and playful use of colour and form, graphic artist Camille Walala creates interactive installations and large-scale murals.

Encompassing 40 photographs, Silver Lake Drive is a major new exhibition that marks the first mid-career survey of Alex Prager at The Photographers’ Gallery.

Set against the backdrop of rural Japan, Carine Thévenau’s series documents the structural ephemera of empty playgrounds in winter.

It is less than a month to go until the Future Now Symposium, a two day event which brings together leading arts organisations.

For the April / May issue of Aesthetica, Sailor Jerry called for artists to submit flash illustrations that reflected the brand. The winners are announced.

In Their Own Form brings together photographic and video works exploring a range of Afro-Diasporic experiences.

Museum of Contemporary Photography considers the ongoing history of National Parks by delving into its photographic archives.

Adelaide Damoah’s practice involves using her body as a “living paintbrush” to paint or print onto various surfaces. Damoah discusses her series.

Stefanie Moshammer combines fiction and reality, tapping into key contemporary questions about the nature of truth in the digital age.

A new exhibition of works by Viviane Sassen at the Hepworth Wakefield offers fragmented compositions and hyperreal landscapes.

Between 1976-1991, documentary photographer Tish Murtha recorded the lives of communities in the North East of England.

An exhibition of work by Yto Barrada at Pace/MacGill Gallery features a photographic project created in the artist’s hometown, Tangier.

A series of photographs by Andrew Jackson explores the identities of migrants from Jamaica, investigating ideas of memory and family.