Expanding Environments
Olafur Eliasson’s immersive installation, Riverbed, takes over and transforms the Louisiana Museum of Modern Art, in the museum’s first solo show.
Olafur Eliasson’s immersive installation, Riverbed, takes over and transforms the Louisiana Museum of Modern Art, in the museum’s first solo show.
Ciara Phillips uses multifaceted techniques to interact with other artists, designers and local community groups.
City Visions is a series of films, talks and debates that celebrate the energy of modern cities whilst exposing images of urban decay and deprivation. The season engages with conversations around architecture, planning and globalisation.
The Piano Brothers are not brothers by blood but by divine, energetic and rich music that is accessible to everyone. Bound together by the love of all-encompassing music, Dominic Anthony Ferris and Elwin Hendrijanto began performing together in 2009 whilst studying at the Royal College of Music.
From 1964 until 2002, a unique blend of teaching, student engagement and documentation that took place at Birmingham’s Centre for Contemporary Cultural Studies (CCCS).
With a title which references the infamous Black Dahlia murder in 1940s Hollywood, Last Seen Entering The Biltmore is a group exhibition which considers the idea of artifice and draws attention to the idea of the theatrical “backstage” as a threshold where transformation takes place.
Peter Bunnell’s 1970 MoMA show Photography Into Sculpture proved a landmark in photographic practice, through its presentation of images arranged in a sculptural manner.
This summer the Lisson Gallery collaborates with Berengo Studio to present an exhibition that coincides with the occasion of the 14th International Architecture Biennale in Venice.
This summer the Camden Arts Centre dedicates all of its galleries and gardens to a large-scale, major exhibition of work by Shelagh Wakely. One of the UK’s most influential artists, the exhibition provides the rare opportunity to experience the ephemeral magic of Wakely’s work.
Nina Fowler has been shortlisted for prizes including The Jerwood Drawing, The BP Portrait and Longlisted for the The Aesthetica Art Prize. She is represented by Galerie Dukan and her work is included in private and public collections in Europe, the USA and Asia.
Rapidly becoming not only a central part of the Edinburgh Festival’s programme but a vital creative hub for the city’s all-year-round cultural scene, Summerhall unveils its strongest line-up to date.
UK theatre company Forced Entertainment presents the UK premiere of their new performance, The Notebook, as part of After a War in the festival LIFT at Battersea Arts Centre in London.
The photography of Marco Sanges creates dramatic works peopled by uncanny, larger than life characters. His untidy troupe of old money and sugar daddies wear their powdered wigs and brylcremed toupees at jaunty angles.
The Ulster Bank Belfast Festival at Queen’s is Ireland’s biggest festival seeing over 60, 000 people attend from all over the world. Running for over 50 years the event has attracted some of the most famous names in the arts including Jimi Hendrix.
Biyi Bandele’s big screen adaptation of Chimamanda Ngozi Adichie’s seminal novel pares down the story but maintains a personal, evocative impression of Nigeria’s post-colonial struggle.
The astonishing re-staging of one of Germany’s most internationally renowned contemporary artists is playful, bewildering, enticing and hypnotic.
After the devastation caused by World War II, Britain was in desperate need of optimism and re-development. During the course of the war Britain suffered the tragic loss of 383,800 soldiers’ lives.
Organised by Aesthetica Magazine, in partnership with York Museums Trust, the Aesthetica Art Prize is a celebration of excellence and innovation in contemporary art from across the world.
Martin Creed’s first ever retrospective opens at the Hayward Gallery, London, this spring, exposing the large body of work of the genre-defying artist.
