Exploring Wimbledon’s Unique Artistic Community: Q&A with Emma Campbell, Artistic Coordinator

Interview by Bethany Rex Wimbledon Art Studios is the largest, single site art studio complex in the UK; we caught up with their Artistic Coordinator…

If Destroyed Still True @ Tobacco Factory Theatre, Bristol.

Review by Regina Papachlimitzou If Destroyed Still True is the culmination of two years work by performance company Sedated by a Brick. Performed in the…

Martin Creed: Thinking/Not Thinking @ Cafe OTO

Martin Creed: Thinking / Not Thinking (Work #1090) from Martin Creed on Vimeo. Review by Kathryn Evans Last week Martin Creed and his band showcased…

Aidan McNeill’s World of Theatre @ PayneShurvell

Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. Aidan McNeill’s first solo…

Dustin Yellin @ 20 Hoxton Square

Review by Carla MacKinnon New York based artist Dustin Yellin creates his unique work by layering 2D images between sheets of glass to create extraordinary…

Horizon Hypnotique @ French Rivieria 1988

Review by Emily Sack, a candidate for the MA in Art History at Richmond the American International University in London. “This is our romance,” state…

Louise Bourgeois & Tracey Emin @ Hauser & Wirth, London

Review by Laura E. Barone, a candidate for the MA in Art History at Richmond the American International University in London. Louise Bourgeois and Tracey…

Cosima von Bonin’s Surrealist Playground @ Arnolfini

Review by Regina Papachlimitzou Cosima von Bonin’s exhibition Bone Idle is permeated by contradiction. Her work, aiming to explore notions of sloth and fatigue, comprises…

To Kill A Mockingbird – Review of the play, touring the UK

Harper Lee’s To Kill A Mockingbird (1960) is one of the most widely discussed novels; dealing with racial inequality, violence and rape, it summarises a…

PUBLICSFEAR @ South London Gallery

Review by Paul Hardman Walking first up stairs into the dark, then along a black felt lined corridor, around a corner and finally into an…

The Flirtatious Aura of Jean-Marc Bustamante @ Fruitmarket

Review by Colin Herd Jean-Marc Bustamante, who represented France at the Venice Biennale in 2003, began his career as an assistant to the renowned fashion…

Contemporary Life & Avant-Garde Russian Art

Examining the world in a state of flux, Russian artist, Anna Parkina, uses collage to critique current social, political and economic trends.

Carey Young – Memento Park @ Cornerhouse, Manchester

Review by Kenn Taylor Born in Zambia, Carey Young (b. 1970) grew up and studied in Manchester. She now works internationally utilising a variety of…

Zhivago Duncan @ CFA Berlin

Review by Jaga N.A. Argentum In his first solo exhibition, Dick Flash’s Souvenirs of Thought, Zhivago Duncan invites us to accompany him and his protagonist…

Sieving for Gold @ St Barnabas’ Church, Dalston

Review by Liz Lau The title of the show Ordinary Time is a reference to where the date of the exhibition falls on the liturgical…

The Magik of Dirk Bell @ The Modern Institute in Glasgow

Review by Alistair Quietsch Dirk Bell’s work is a diverse mix of masterly observed drawings, minimalist sculpture and an artistic play with technology. Upon entering…

Invocations of the Blank Page @ Spike Island

Review by Regina Papachlimitzou The quietness and stillness you might generally associate with the blank page is challenged and eventually rejected in the artworks showcased…

Pragmatic Design: Pop Up Architecture

Review by Nathan Breeze Last summer, when struggling to find a job in London I stumbled across an intriguing advert online seeking volunteers to help…

An Unresolved Reminder of the Past: Thomas Houseago @ Modern Art Oxford

Review by Matt Swain Thomas Houseago is a British contemporary visual artist based in Los Angeles, California. What Went Down is his first major solo…

David Hockney: Bigger Trees Near Warter

Works by some of the most famous names in the world of art are coming to Yorkshire this year as part of a compelling programme…