Jeannette Montgomery Barron explores the intense world of the New York art scene in the 1980s. Following her own journey to the city and her development as a photographer, Barron was part of a scene at an exciting cultural crossroads.
Australian Painter Ben Quilty was recently announced as the overall winner of the Prudential Eye Award. A competition that seeks to promote artistic talent that previously may have been overlooked. The painter’s work is now on display at the Saatchi gallery, London.
Allan Storer paints large abstract canvases for architects, interior designers and private clients. His influences include 20th. century abstract artists and the squeegee paintings of Gerhard Richter.
Offering an aspiring and established writers the opportunity to publish their work, the Aesthetica Creative Writing Award is a chance to further your engagement with an international audience and develop your writing acclaim in the industry.
As part of the first major retrospective of his illustrious 40-year-career, Anselm Kiefer will create a number of new works specifically for the Royal Academy’s Main Galleries as well as an installation for the main courtyard.
A group of six artists have collaborated to create a unique site-specific exhibition and performance piece on the island of Vardø at the extreme north-eastern part of Norway. Taking place in such a secluded location, only a few made a pilgrimage North from Oslo to experience the work on Vardø.
The Official War Poster Artist during the Second World War, who went on to become the foremost graphic designer of the postwar years, Abram Games was awarded numerous prestigious public commissions during his 60-year career.
The Gemeentemuseum Den Haag presents ZomerExpo 2014 Light, the largest national sales exhibition held at the museum showcasing a selection of artworks from an open call registration.
From 1964 until 2002, a unique blend of teaching, student engagement and documentation that took place at Birmingham’s Centre for Contemporary Cultural Studies (CCCS).
One of the UK’s most ambitious art exhibitions, the third edition of Folkestone Triennial commissions a number of internationally recognised artists to create a collection of new works to be exhibited in Folkestone’s public spaces under the title, Lookout.
Phyllida Barlow is one of those artists who came under the spotlight after a long career and endless efforts. During the last decade her body of work has rapidly emerged and been showcased across the UK, Europe and the USA.
Huis Marseille in Amsterdam showcases the first retrospective of Guido Guidi. Spanning a 40 year career, Guidi’s work in photography highlights his early interest in architecture and explores the environment around him.
This presentation by Victoria Miro at Schloss Sihlberg considers the use of abstraction and repetition amongst the work of three artists: Conrad Shawcross, Yayoi Kusama and Idris Khan.
David Tweedy graduated from Newcastle University with a First Class Honours degree in Fine Art in 2013. He has exhibited in the north east of England, as well as in London and Vienna.
The notion of an entire wing of the Guggenheim Bilbao being dedicated to film and video phased me at first. Though increasing numbers of modern art installations seem to feature moving imagery, never had I encountered a space dedicated to the form.
Laurent Grasso is an artist who divides his creative life between Paris and New York, so it is fitting that in September his work will take centre stage both at Paris’s Galerie Perrotin and at Sean Kelly in New York for solo shows.
Mobile phones, watches and other electronic equipment are forbidden within 512 Hours. Marina Abramović clearly wants this to be a purified environment, stripped of all the amenities that might console the idle mind.
Artistic duo Dalziel + Scullion explore the natural world in their innovative and immersive practice. A joint commission from Dovecot Studios and an Lanntair, the pair to produce Tumadh: Immersion.
With a title which references the infamous Black Dahlia murder in 1940s Hollywood, Last Seen Entering The Biltmore is a group exhibition which considers the idea of artifice and draws attention to the idea of the theatrical “backstage” as a threshold where transformation takes place.
