Haunted with ghostly shapes and a sense of eeriness, the new oil paintings and watercolours of acclaimed Irish artist Ciarán Murphy are on display at the Taymour Grahne Gallery until 22 January.
Light installation GRID is a work of designer Christopher Bauder (WHITEvoid) and consists of 50 motorised LED-rod triangles that form a massive dynamic grid, spreading over 200 square meters.
Returning for its sixth edition, India Art Fair opens 30 January in New Delhi. The premier modern and contemporary fair has a global reputation as being one of South Asia’s leading art events.
A selection of 19 artists working across a range of media trace the contours of the human body in Body Language. This show spans the grotesque to the uncanny, and the poignant to the satirical.
As one of the UK’s leading photography spaces, Open Eye’s latest offering explores the work of two very different artists in an exhibition that opens up their works parallels and shared interests.
Moving restlessly between disciplines of film, performance, sound and site-specific installation, the exhibition captures the diversity and complexity of Laure Prouvost whose name has now become a topical buzzword of the contemporary art scene.
The inaugural Jerwood Open Forest exhibition examines art in the environment and what it has the potential to be in its broadest definition. This unique, multisensory exhibition of new work charts the five selected projects over a six-‐month period.
As one of the most celebrated British photographers of the 20th century, with a career spanning six decades, Terry O’Neill is famed for his iconic photos of actors, musicians and politicians.
Opening on 10 January, an exhibition of work by Thomas Struth will be on display at Marian Goodman Gallery. Struth’s recent series investigates the complexity of techno-scientific spaces throughout Asia, Europe and the Americas.
The Zabludowicz Collection will unveil a solo exhibition of New York-based artist Trisha Baga, in her first non-commercial gallery in the UK. It will unfold around the dramatic architecture of the Collection’s north London home.
Mass media and new technologies have been influencing art as early as the 19th century. More recently with the Internet, technology and the media have increased the accessibility of experiencing art.
For Stan Douglas‘ 12 solo show at David Zwirner, the artist will debut a new film Luanda-Kinshasa on 9 January, marking the first time the artist has filmed on location in New York.
Hannah Höch was a driving force in the development of 20th century collage. Splicing together images taken from fashion magazines and journals, she created a humorous and moving commentary on society.
In Flatlands, the stark white gallery space becomes infused with colour, revealing Batchelor’s ongoing exploration of it as a subject. Immediately upon entering the space, a long row of bright Atomic Drawings greets you.
What Will They See of Me? is the second edition of the Jerwood/Film and Video Umbrella Awards and explores the importance attached to individual expressions of personal identity.
Sri Lanka’s pre-eminent platform for international dialogue in contemporary art, the Colombo Art Biennale, which opens 31 January, will feature works by artists and collectives from 12 countries.
Jordan L. Rodgers uses his cross-disciplinary way of working to bridge the gap between traditional drawing and drawing on the iPad. It is this approach combined with an infatuation for architecture that saw Rodgers longlisted.
Entering Virginie Yassef’s solo exhibition at Parisian Galerie Vallois, the visitor faces an installation L’Objet du doute (2013), a tree trunk, obstructing his way and then it suddenly starts to stir.
The Kate Moss story unfolds in 40, a collection of work by Russell Marshall that celebrates one of the most photographed, enigmatic icons of the time and inspires conversation about celebrity culture and Kate Moss-mania.
