Alberto Burri: Grafica, Luxembourg & Dayan, New York
This September Luxembourg & Dayan will present Alberto Burri: Grafica, a show of rarely seen prints by a great innovator of postwar abstraction.
This September Luxembourg & Dayan will present Alberto Burri: Grafica, a show of rarely seen prints by a great innovator of postwar abstraction.
The Edinburgh International Festival opened on Friday 7 August with The Harmonium Project. This year’s programme features 2,300 artists from 39 countries, showcasing opera, theatre, music and dance from across the world.
Samara Golden’s immersive installation The Flat Side of the Knife at MoMA PS1
explores the concept of a 6th dimension.
Dr Sam Lackey works across all aspects of the collections at The Hepworth Wakefield, and is on the judging panel for the Aesthetica Art Prize 2016. We speak with the curator about her role.
For the first solo UK exhibition of work by Magnum photographer Harry Gruyaert, Magnum Print Room is presenting over 30 works taken from 1972-2004 which portray his innovative approach to colour.
Mankind’s interaction with the natural world is highlighted in variety of works by photographers including David Maisel and Alex MacLean.
Winner of the IK Prize 2015, Tate Sensorium by creative agency Flying Object offers an immersive exploration of key works from Tate’s prestigious art collection. The project seeks to reunite sight with the senses of taste, touch, smell and hearing.
The Photographer’s Gallery presents Arctic Stories, by award winning photographer Evgenia Arbugaeva.
Three weeks remain in the Aesthetica Art Prize 2016 call for entries. Longlisted artist Marijke de Goey was selected in 2015 with the sculptural piece Curly Burly (2012), published in Future Now.
For 247 years, the Royal Academy’s Summer Exhibition has offered a snapshot of contemporary art – and this year’s showcase is a riot of colour.
Bernd and Hilla Becher are best known for their heavy-contrast photographs featuring formalist architecture beneath overcast skies, having championed the German ‘New Objectivity’ style.
With three weeks to go until the Aesthetica Art Prize call for entries closes, we reflect on the striking variety of artists’ film submitted to the competition including José Ramón Da Cruz’s audiovisual composition Madre Quentina.
We review land artist Richard Long’s new exhibition at the Arnolfini Centre, Bristol which focuses on the artist’s personal relationship to place and local materials in the area where he grew up and lives.
Now in its eighth year, Designs of the Year at Design Museum, London, celebrates projects that enable access and promote or deliver change.
Following its successful inauguration in 2014, Shaped in Mexico returns to London with a selection of over 150 works by 32 international artists. On view from 3 September, this unique, free show will take place at the Bargehouse.
There are 23 days to go in the call for submissions for the Aesthetica Art Prize. In the countdown, we spotlight finalist Rebeka Lord, whose painting Send Me on My Way was published in the Aesthetica Art Prize Anthology 2015, Future Now.
Keith Arnatt has occupied a key position in the history of British conceptual art for almost 50 years.
Anish Kapoor returns to Italy with Descension, an exhibition project conceived specially for the former cinema and theatre space of Galleria Continua.
Casino at Hangar Bicocca, Milan, is the first solo exhibition in Italy by Damián Ortega.
