Visual Reformation
Adam Pendleton’s shot him in the face is a new collection currently on display at BALTIC, Gateshead, the largest exhibition of the American artist to date.
Adam Pendleton’s shot him in the face is a new collection currently on display at BALTIC, Gateshead, the largest exhibition of the American artist to date.
Michael Hoppen Gallery examines Harry Gruyaert’s innovative use of colour photography to create chromatic parallels across disparate locations.
Paul Kasmin Gallery’s Farewell Transmission is a two-venue showcase of sculptures by Roxy Paine, spanning the spaces at 293 and 297 Tenth Avenue.
Brixton artist Lesley Hilling brings a series of floor standing and wall sculptures made from salvaged wood and found objects to Knight Webb Gallery.
In a considered response to Ikon’s architecture, Sheela Gowda transforms the high-ceilinged second-floor galleries with socio-political concerns.
Hauser & Wirth pays homage to photographer August Sander’s oeuvre through a display of 40 rare large-scale portraits made between 1910 and 1931.
Art, science and innovation underpin Centre Pompidou’s exploration of digital technology and design; Ross Lovegrove’s fluid processes feature this summer.
NMWA, Washington DC, considers the concepts of spectacle and transcendence; Revival looks at how female artists achieve emotional connections,
Choreographer and director Wayne McGregor curates a major new series at the Roundhouse this summer, as part of Bloomberg Summer.
Opening at secession, Vienna, Alex Da Corte’s Slow Graffiti features immersive installations that submerge the audience within vivid constructions.
Extraordinary showcases the innovative work of graduands from Leeds College of Art. The college’s buildings become large-scale exhibition spaces this June.
One of Asia’s leading architecture and design firms, CL3, has collaborated with Lim + Lu on a new, compact furniture range for Cornell University.
British art of the 1960s is noted for its bold, artificial colour, alluring surfaces and unpredictable shapes, yet these capricious forms are underpinned by a…
Our 5 To See for 2-4 June brings us into the summer season: The Whitworth challenges borders and Sprüth Magers rejoices in a dynamic flurry of light.
Artist Victoria Lucas draws inspiration from JG Ballard’s Concrete Island in a show that interrogates the constructs of culture and gender representation.
Our June / July issue considers the current state of flux; in this age of digital alienation, it’s important to make time for reflection.
Le Corbusier and Léger. Polychromatic conversations exists in an off-site dialogue with Centre Pompidou-Metz’s retrospective on Fernand Léger.
Mónica de Miranda is drawn back to Angola’s modernist architecture to consider the multiple geographies and histories of the city of Luanda.
The Minneapolis Sculpture Garden reopens on 3 June with a total of 18 new artworks installed across 19-acres of the garden and Walker Campus.
