Aesthetica Magazine Issue 93

February / March 2020

Here we are, firmly in a new decade. The future is now. I remember the millennium and Y2K fears; it seems so innocent when you think of how things have changed since 2000. The internet was still new, Hotmail was a novelty and the concept of Amazon was still very alien – “what  do you mean, we don’t have to go to a bookshop to buy a book?” The world operated at a slower pace and the concept of social media had not been realised. The iPhone did not exist. The rate of technological advancement has been unprecedented. What will this mean for the future? How will the next decade play out?

We are in a climate emergency and the rate of individual change is not fast enough. This new decade needs to be defined by transformation, so let’s have a think about what that means. The difference in CO2 emissions by travelling with Eurostar versus flying is considerable. It all boils down to doing things differently, acting locally as well as globally. Bring your lunch to work in a reusable container – cut down on your daily plastic waste. Cycle or walk. Get a jumper! Small changes do have a big impact – if everyone contributes. That’s my pledge for the new decade – I will be more sustainable in everything that I do. By the way, make sure you recycle this magazine (or pass it on) as well as the packaging it comes in!

This issue is about developing a new narrative and disrupting the status quo. Cornelia Parker has a major retrospective at MCA Australia that spans 40 years. We look at how her installations have made sense of the turbulent world. Claudia Andujar’s work with the Yanomami people in Brazil questions how Indigenous populations are treated and what we need to create a fairer world, merging art and activism. Emmanuelle Moureaux opens a NOW Gallery commission with Slices of Time. She visualises the next 100 years through cut-out numbers in this hugely impressive installation. In photography, we bring you works by seven photographers that redefine fashion, architecture, colours and textures. Finally, the Last Words goes to Angela Flowers as the gallery celebrates 50 years.

Dramatic Portraiture

The portrait has never been so prevalent. Faces have become quantifiable as data and selfies are ubiquitous. Woudt takes a classical approach.

Visual Inspiration

Jamal Nxedlana’s images are rooted in an Afro-Surrealist style, “creating an alternative image repertoire to tackle biased views of Africa.”

Building the Future

How do designers shape the way we understand the world around us, as we tackle the climate emergency, political tensions and digital ethics?

Cutting and Pasting

Expanding the dimensions of traditional photography, Haser uses paper-folding techniques, collage and mixed media to blur distinctions.

Layers of Complexity

Data plays a huge role in our lives today. Emmanuelle Moureaux creates an immersive installation that assesses how numbers are related to memory.

Towards Preservation

After half of Claudia Andujar’s family were killed in WWII, she dedicated five decades to photographing and raising awareness of the Yanomami people.

Stepping into Dreams

Alex Fruehmann’s dark and dramatic expanses immerse the viewer in the hyperreal, inviting them to revel in the negative space.

Seeing in Double

Mirror images. Checker-board clothing. Identical models. Twins is an immersion into the eccentric and playful world of photographic duo LM Chabot.

Intelligent Composition

Olga Urbanek’s photographs are clever and considered juxtapositions of form, colour and texture, placing individuals in unexpected scenarios.

Reactive Installations

Cornelia Parker has spent the last 40 years making installations that make sense of the volatile, violent and precarious world in which we live.

Altered Perspective

Aleksander Małachowski works at the intersection of photography, geometry and symmetry. His minimal images focus on the spaces that we inhabit.